How a rainforest cliff face will become Queensland’s most joyful adrenaline fix.
The fear showed up quietly, sometime between waking up at Binna Burra and realising just how close I was to stepping off the cliffs of Lamington National Park. We were staying right next door to a brand-new adventure park that hadn’t officially opened yet (it has now), all of us pretending this was just a normal day in the office. It wasn’t. Happitat Adventure Park was still shiny and untouched, and we were about to be its guinea pigs.
But this is a rare kind of place. One that’s both playground and life philosophy. Its core thesis, if I had to reduce it to a slogan, might be “find happi by losing your hesitation on a cliff face”. Which, to be clear, is not the kind of tagline you slap on a postcard unless you really mean it.
And by “cliff face” I don’t mean a gentle overlook with a safety rail. Nope. Happitat is perched on the edge of a 200-metre-high escarpment in the World Heritage-listed rainforest. Seriously, birds look tiny because you are that high up.
My first mental milestone was the Arete Via Ferrata: a climbing route that cackles in the face of ordinary walking trails. Harnessed in, I stepped out onto a mixture of tightropes, steel cables, timber log crossings, climbing nets and one 80-metre suspended bridge that swayed like a slinky caught in a breeze. I felt like I was starring in a mix between an episode of Wipeout and some sort of Fearfactor ninja training course.
That first step over the edge was the moment Happitat’s ethos hit home: adventure isn’t just about the adrenaline; it’s about stripping away every mental “what if?” and replacing it with a refreshing “why not?”
It’s advertised as the ultimate zipline, which should tell you everything you need to know. On paper it sounds like something you’d scroll past on Instagram before getting distracted by a cat smacking a baby in the face. In reality? I was clipped in, I leaned back, and suddenly the wind was zipping past me faster than I thought possible. You’re 400 metres above pristine rainforest canopy, rock walls to one side, untouched valleys to the other, and you’re absolutely gunning it.
Then there’s the Overhang Zipline Course; a trio of lines that take you skimming past waterfalls, scraping cliff sides (in a safe way, promise), and above secret pockets of rainforest that are so lush they look like someone’s screensaver from 2008. Unfortunately, I had a plane to catch so I couldn’t actually try that one out, but you better believe I’ll be back.
And after all that high-octane fun, you can also walk shaded bush tracks and stand on a cantilevered platform that extends 12 metres over the valley. Here, the soundtrack is birdsong and leaf rustle, not screaming (mine or anyone else’s).
If I had a wheel of feelings about Happitat, half of it would be “That was scary (in a good way!)” and the other half would be “Wow, that view!” with a sprinkle of “Did I really just do that?” But that’s kind of the point. The folks behind this park, led by former pro snowboarder Michael Neururer, didn’t build it to be a typical theme park with bad fried food and queues. They built it to make you feel present, to stop your brain’s constant chatter and give you a front-row seat to nature’s spectacle.
There’s a subtle message tucked between every steel cable and every forest step about reconnecting with the wild. But it’s not preachy. It’s more like, when you push through your fear and are surrounded by super old trees, something inside you shifts.
Also worth noting, Happitat is intentionally designed with sustainability and regeneration in mind. They carefully chose materials that are durable and recyclable, and the entire park can be dismantled in the future to leave the cliff face undisturbed. Insert shocked face emoji.
By the end of a few very busy hours; after forests, constant clipping in, and views that make your phone storage scream more photos please, I found myself at the Happitat base, sipping some much-needed water (QLD in summer is no joke), and smiling. There’s a quiet joy in looking around you and thinking, if I could do all that today, what else might I be capable of? And I think that’s exactly what this park was built for.
From stone-paved villages to mountain passes, this is Japan at walking pace; immersive, timeless, and quietly epic.
From stone-paved villages to mountain passes, this is Japan at walking pace; immersive, timeless, and quietly epic.
Japan does walking trails very well. But the Nakasendō Trail isn’t just a hike, it’s time travel with good legs and an appetite for immersion. This is one of the Five Great Roads of the Edo period, a historic artery that once connected Kyoto with Edo (modern Tokyo), carrying samurai, merchants, monks, messengers, and the occasional unlucky bloke walking in straw sandals during a snowstorm.
Today, you can still walk large sections of it. Not on a treadmill. Not behind a flag-waving guide. But on foot, at your own pace, through cedar forests, over stone-paved passes, and into post towns that look like the Edo era forgot to leave.
For travellers chasing something deeper than neon lights and selfie queues, the Nakasendō delivers that sweet spot of immersive adventure. It’s physical without being punishing. Cultural without being stuffy. And quietly spectacular in a way that sneaks up on you somewhere between a mossy stone Buddha and your third bowl of miso soup.
The genius of the Nakasendō is that it was built for walking. Unlike coastal routes designed for speed, this inland road winds through Japan’s mountainous heart; through forests, valleys, rivers, and passes that force you to slow down and pay attention.
Walking sections range from gentle village strolls to satisfying half-day hikes, making it accessible even if your idea of “training” is walking to the café. And because it’s broken into manageable segments, it fits neatly into a broader Japan itinerary alongside Tokyo, Kyoto, or the Japanese Alps.
Most importantly, the Nakasendō shows you a version of Japan that many visitors never see: quiet, rural, deeply traditional, and refreshingly human.
Day 1: Magome-juku to Tsumago-juku (8 km, ~3 hours)
You begin in Magome-juku, one of the most photogenic post towns in Japan. It climbs a steep stone-paved slope lined with wooden inns, waterwheels clacking away like they’ve always been there (because they have), and views back toward Mount Ena that feel almost painted on.
Leaving Magome, the trail slips into forest. Sunlight filters through cedar trees, stone paths crunch underfoot, and waterfalls (including the charmingly named Male and Female Falls) appear just when your legs start to complain.
The reward is Tsumago-juku, Japan’s first officially preserved post town. Its streets follow a strict philosophy: do not sell, do not rent, do not destroy. The result is a place that feels lived-in rather than staged. You overnight in a local minshuku or ryokan, eat a seasonal dinner, and sleep very well.
This is a quieter, more contemplative day. The crowds thin. The forests deepen. You walk through Kiso cypress groves and rural countryside where time seems optional.
After the walk, you transfer by train to Kiso-Fukushima, once guarded by one of Edo Japan’s four great checkpoints. The ruins remain, a reminder that travel here was once tightly controlled. A soak in a free foot bath by the river helps ease the legs.
Day 3: Yabuhara-juku to Narai-juku via Torii Pass (7 km, 2–3 hours)
Starting in Yabuhara-juku, birthplace of the delicate Orōku comb, the trail climbs steadily toward Torii Pass, one of the highest points on the Nakasendō at 1,197 metres.
Stone Buddhas line the way. Poetry monuments appear unexpectedly. Matsuo Bashō passed through here, and it’s easy to see why he lingered.
Descending into Narai-juku feels like walking into a film set that forgot to modernise. Nearly a kilometre long, Narai is known as “Narai of a Thousand Houses,” with lacquerware shops, cafés, and beautifully preserved wooden buildings.
That night, you head toward Matsumoto and sink into an onsen at Asama or Utsukushigahara, a reward Edo travellers could only dream about.
This is your cultural breather day. Matsumoto Castle, one of Japan’s original castles, rises black and imposing against the Alps. From here, you travel on to Karuizawa, a refined mountain resort town with leafy streets, historic churches, and excellent coffee. It is a surprisingly good base for what comes next.
Day 5: Usui Pass — Walking Like It’s the Edo Period
If the Nakasendō has a showstopper, Usui Pass is it.
Once notorious for its steep gradients and unpredictable weather, Usui Pass connected Karuizawa with Gunma Prefecture and tested the resolve of Edo-era travellers. Today, it’s been restored as a tranquil forest trail. It is dramatic without being brutal, scenic without trying too hard.
And here’s where immersion levels up.
Before setting out, you don authentic Edo-period travel attire: traditional hat, rain cape, arm guards, leggings, and even a replica travel permit tucked away like you’re clearing checkpoints. It’s not cosplay, it’s context. Suddenly, the weight of history feels real. The trail narrows. The forest closes in. Your footsteps echo differently.
At scenic viewpoints, Mount Myōgi rises jagged and theatrical above the valleys. You stop for a bento inspired by historic teahouses, including tōge no chikara-mochi — “power mochi” once eaten by travellers tackling the pass. It’s simple, satisfying, and strangely perfect.
Illustrated storytelling along the route adds depth, tracing the evolution of this road from the Nara period through early modern Japan. By the time you reach the ruins of the Usui Pass Checkpoint, you’ve stopped walking through history and started walking with it.
The descent leads toward Sakamoto-juku and on to Yokokawa, home of railway heritage and the famous tōge no kamameshi, a fitting final meal to celebrate finishing the journey.
The Nakasendō isn’t about ticking boxes. It’s about rhythm. Walking, eating, soaking, sleeping, repeating. It’s about seeing Japan at human speed, where forests feel alive, towns feel real, and history isn’t behind glass.
As a self-guided journey, it gives you freedom without friction. Routes are clear. Logistics are handled. Support is there when needed. You walk alone, but never lost.
Booking Information Tour Operator: Oku Japan
Oku Japan launched Japan’s first self-guided walking tours in 2010 and has become a leader in sustainable, off-the-beaten-path travel. Their trips focus on immersion, local stays, and meaningful travel experiences across Japan.
Most Popular Tour: Nakasendō Self-Guided Walking Tour – 5 Days
Park Hyatt Tokyo reopens with jazz, whiskey, and five-star swagger
Tokyo has a way of making you feel small. It’s the endless neon skyline, the tidal wave of humanity pouring through Shinjuku Station, the sheer buzz of a city that never switches off. And then there’s the Park Hyatt, perched like a glass-and-steel temple to sophistication above it all, reminding you that, in Japan, even chaos can be wrapped in elegance and served with a perfectly measured whiskey.
I remember the last time I was here, sinking into a deep leather chair at the New York Bar, Bill Evans’ piano easing through the room while I nursed a single malt and pretended I was in Lost in Translation (minus Scarlett Johansson, sadly). It’s one of those rare bars that makes you feel cooler just by walking in. It’s the kind of place where conversations hum in five languages and bartenders in crisp waistcoats nod like they already know your drink order. And now, after a year-long glow-up, it’s back.
The Park Hyatt Tokyo, Japan’s original high-rise icon of understated luxury, reopens this December after closing its doors in May 2024 for a top-to-bottom revamp. Since its debut in 1994, tucked into the top 14 floors of Kenzo Tange’s Shinjuku Park Tower, this place has been the city’s go-to crash pad for Hollywood royalty, jet-lagged billionaires, and people like me who are happy to blow the budget for the chance to be Bill Murray. Back then, Tokyo welcomed about 3.5 million tourists a year. These days? Try almost 37 million. The city’s changed, and the Park Hyatt is keeping pace.
If the name sounds familiar, it’s because this is the hotel that gave us one of cinema’s most memorable hangovers: Sofia Coppola’s Lost in Translation was filmed here in 2003, and Anthony Bourdain drank his way through its hallways a decade later for Parts Unknown. Both times, the real star wasn’t Bill Murray or Bourdain it was the Park Hyatt itself, most notably, the New York Grill & Bar.
The recent overhaul is more evolution than revolution and thankfully, the hotel’s iconic spaces remain gloriously familiar, in particular, the 52nd-floor New York Grill & Bar still offering the best skyline views in the city.
There are tweaks, of course. French brasserie Girandole now carries Alain Ducasse’s name and a slightly healthier menu. A new marble bar now anchors the space, serving breakfast in the morning and cocktails when the sun dips below Mount Fuji.
What hasn’t changed, and probably never will, is the soul of the place. Many of the staff have been here since the early days, greeting regulars like long-lost friends and treating newcomers with the kind of practiced grace that makes even the most jaded traveller feel special. It’s that combination of impeccable service, cinematic atmosphere, and quiet confidence that keeps people coming back, even if room rates now start at AU$880 a night (plus a healthy dose of taxes and service fees, naturally).
So, now that the Park Hyatt Tokyo has reopened its doors (did so on December 9), I’ll be back, probably in that same leather chair, sipping whiskey and listening to jazz, waiting for Scarlett Johansson to walk in. She probably won’t. But then again, that’s the magic of this place: for a few hours, it makes you believe anything could happen.
Equalise your ears and prepare yourself for a deep exploration of the top spots to dive and the cosiest places to stay in the piece of paradise that goes by the name Tahiti
If your idea of a perfect holiday involves tugging on a wetsuit and submerging yourself in vibrant, sea creature-filled underwater worlds by day and friendly, family-run accommodations by night, hang on to your scuba gear because we’re about to show you some places that will blow your flippers off.
A 50-minute flight from Tahiti’s capital is all you need to reach Rangiroa, the world’s second largest atoll and home to some of the world’s best dive sites according to French oceanographer and filmmaker Jacques Cousteau – and he knows stuff.
Rangiroa is made up of about 415 small islets and sandbars filled with crystal-clear waters that teem with marine life. Advanced divers can tackle the Tiputa Pass, sharing the water with curious dolphins and the occasional hammerhead shark, mantas, sting rays, tuna, and sea turtles.
When the water visibility is up to 39 metres and its temperature hovers between 26.7 to 28.9 degrees Celcius, it’s hard to drag yourself out of the ocean but you don’t need to go far when you stay at Rangiroa Bliss.
The guesthouse has its own private beach and its six rooms abutt the lagoon. Rangiroa Bliss caters more to sandy feet than fancy pedicures and trades room service for unforgettable starry nights and family-cooked meals. It does have WiFi if you want to connect to the outside world. Bet you won’t.
If you want to know what Moorea looks like, get your mum to pull out your kinder drawings of an island paradise. You’ll have nailed it. Jagged volcanic mountains and powder-like sandy shores. Moorea is so lovely it even takes the shape of a heart from above, which helps attract honeymooners as well as diving fanatics.
Most of the island’s dive spots are to the north, accessible via short boat rides. Highlights include Tiki Point, known for its clear waters and abundant marine life, including lemon sharks and vibrant coral reefs.
These traditional bungalows are hugged by lush, exotic gardens and boast their own private beach where you can enjoy your breakfast served with a side of ocean breeze. Kick back on the steps of your bungalow and eat your breakfast with your toes digging into the sand or enjoy a meal in the communal outdoor dining area where you can swap stories with fellow travellers and the friendly owners.
If deep-sea diving and exploring oceanic caves is your jam, Rurutu is blessed with incredible drop-offs and underwater caves and vibrant coral reefs that provide habitats for a myriad of marine species.
Known as ‘Whale Island’, Rurutu is on the annual migratory route for humpback whales, which means there’s not only the opportunity to spot humpback whales, but to share the water with them. The experience of swimming in the ocean with a whale song as your backing track? Priceless.
Luxury hotels just aren’t a thing on Rurutu and why would they be when you can stay at an authentic family-run Tahitian guesthouse like Vaitumu Village where the hospitality is as warm as the ocean breeze.
Located on Rurutu’s northwest coast, the village offers seven charming bungalows, a large communal area with a bar where you can relax after a day’s diving while soaking up local tunes or continue your love affair with the water at the pool. If the beach pulls you back, keep your eyes peeled for a glimpse of whales breaching.
On the edge of the lagoon, Vaiama Guest House tells its guests they will ‘Come for the views, stay for the vibe’ – and you couldn’t argue. After a day of underwater exploration, there’s nothing like a home-cooked meal in a cozy setting where you’re treated like family.
The guest house has an idyllic setting on a pristine white beach. You won’t want to leave the deck over the water, which offers the perfect vantage point to watch colourful schools of fish and the occasional stingray swim by during the day, and ponder life, the universe, and everything under the incredible sky at night.
Tikehau is the underwater equivalent of a tropical fish parade, with schools of colourful creatures putting on a display that makes Mardi Gras look like a Sunday stroll.
Divers from around the world talk in hushed tones about the vibrant underwater world on display at Tuheiava Pass where manta rays and reef sharks will accompany you on adrenaline-pumping drift dives.
Le Tikehau is more of a luxury stay than the others on this list but when your forced to literally decompress from your diving adventures before flying home, it’s pretty tempting to end your stay somewhere you can indulge in a little pampering.
At Le Tikehau, your biggest stress will be whether to stay in a lux bungalow on the beach or over the water, but you’ll be able to massage the tension of that decision away at the resort’s spa, where you can trade saltwater for an oil and coconut scrub.
Imagine you’re gliding through snowfall so light it feels like skiing on icing sugar.
No elbows to the ribs from a neon-jacketed influencer. No ramen queues. No one blasting DJ remixes of “Last Christmas” over a megaphone. Just pure, silent powder that whispers rather than screams.
That’s Aizu. And it’s the Japan snow escape you’ve been desperately trying to keep secret from your mates.
Aizu lives in Fukushima Prefecture’s wild mountain country. This is the place people in Tokyo nod knowingly about but never explain why. It’s old-soul Japan: samurai spirits, cedar forests, ryokan steam curling out of wooden eaves. A ski trip here isn’t another smashed-in gondola ride followed by overpriced IPA; it’s a cultural immersion where the locals actually look you in the eye and the slopes feel like they’ve been waiting centuries just for you to carve the first tracks.
And here’s why your skis (and your inner powder gremlin) should point themselves toward Aizu.
In Aizu, nobody is Instagramming themselves while they block the lift line. The snow falls deep here (around nine metres of the feather-light stuff each season), and the slopes feel unguarded and more importantly untouched.
Urabandai even breaks the rules of physics with its micro-fine powder: soft, dry, and more than forgiving. You’ll find more than 80 runs and 30 lifts spread across the region, meaning you can carve until your quads beg for mercy without ever queuing like cattle.
NEKOMA Mountain, the newest darling of the Ikon Pass, delivers varied trails and that magical ski-in/ski-out setup via Bandaisan Onsen Hotel. EN RESORTS Grandeco serves up long, graceful cruisers and face-tickling powder stashes. If you’ve got little shredders (or adults who need a confidence boost), Ashinomaki Snow Park is a candy store of snowmobiles, tubing and laugh-until-you-fall-over fun.
This is skiing for people who crave the sport, not the circus.
Most ski towns have a sad attempt at “local history” that involves a framed black-and-white photo of a dude holding a shovel. Aizu laughs at that.
This is a region with centuries of sword-drawn drama: Tsuruga Castle, rebuilt after 19th-century warfare; clusters of preserved samurai homes; and Ouchi-juku, a time-capsule post town with thatched-roof houses that look like they belong in a folktale. And the culture isn’t just behind glass.
Aizu is the beating heart of lacquerware craftsmanship. You’ll see artisans paint and polish pieces that look like they belong in museums, then sell them to you for prices that don’t make you faint. Kids paint Akabeko (little red cows), said to protect against illness and you’ll end up taking one home because suddenly, you believe in lucky cows too.
This isn’t sightseeing. It’s stepping through a portal into Japan before bullet trains, vending machines and TikTok attention spans.
When the lifts close, Aizu-Wakamatsu doesn’t transform into a snow-glitter party town with AU$28 cocktails. It becomes warm: wood smoke curling through alleys, paper lanterns glowing, kitchens humming with slow-cooked local staples.
If you’re smart enough to stay at the Bandaisan Onsen Hotel, you’ll get access to Izakaya GO, the hotel’s secret weapon. A van scoops you up and drops you at back-street izakayas you’d never find yourself. Think Oku-Aizu wagyu, grilled local chicken, seasonal vegetables, and sake that tastes like the mountains around you. You’ll laugh with the chef. You’ll toast strangers. You’ll wander back snow-speckled and full, and you’ll swear you just had the best meal of your life.
Not into curated tours? Fine. Go rogue. Order Kitakata ramen, one of Japan’s holy trinities of noodle styles, at a back-alley shop where the old guy behind the counter has been hand-rolling noodles since before your parents met. Chase it with a glass of local sake and realize you don’t need après that screams; you just need après that feeds.
Aizu doesn’t do “resort spa.” It does historic hot spring villages that whisper you into submission.
Ashinomaki Onsen sits in a gorge so tucked away it was once called a “phantom village.” Steaming baths, dripping icicles, the soundtrack of rushing water. You’re only 25 minutes from town but it feels days away. Stay overnight and you’ll understand why people call this place a reset button for the soul.
Closer still is Higashiyama Onsen, 1,300 years deep in samurai sweat and healing. Wooden ryokans hug the riverbanks, steam rises between pines, and everything slows down. Samurai used to soak here after battles. You’ll do the same after a long powder day, or just after your third bowl of ramen. Both battles count.
The Japan skiing you wanted all along
This isn’t another “Japan is magical!” brochure. Aizu is where the powder is soft, the crowds are scarce, the history is alive, and the locals pour your sake like they mean it.
It’s skiing that doesn’t feel like tourism. It feels like being invited into someone’s home.
A tale of culture, community and conservation in Sarawak.
“I know most of you want to see three, four, maybe even five orangutans, but remember, seeing one is better than none.”
These words were ringing in my ears as I patiently waited for one of the Semonggoh Wildlife Centre’s regular primates to make its way to feeding platform number 2.
Thankfully, I didn’t have to wait long. Anaku, a 19-year-old male orangutan who’d only recently started developing his cheek pads, came into view. Swinging from branch to rope and back again, he slowly made his way to where a host of bananas, bamboo and mangosteens begged to be his breakfast.
The fourth largest orangutan in the area, Anaku is a big boy. We’re talking ‘it takes 8–10 grown men to control him’ kinda big. Daredevilish by nature, he’s part of the third generation of orangutans to be born in the Semonggoh region—a place where rehabilitation is key to keeping these gentle giants swinging through the trees.
And man, was I glad to see him.
Click play to watch
But let’s rewind. We’d landed in the buzzing city of Kuala Lumpur and immediately had a plan: check into the Moxy in Chinatown. Drop off our bags. Head to the rooftop and order a cocktail. So that’s exactly what we did.
We had just enough time to check out the hotel and enjoy the pool surrounded by the city’s skyscrapers before joining a food tour that would wind us through the backstreets of Chinatown’s best (and most local) food stops… by Vespa.
Funnily enough, I didn’t know you could fall in love with a city from the back of a Vespa, but there I was—gripping onto our guide Dass for dear life, completely googly-eyed for Kuala Lumpur as it whizzed by at an alarming pace.
The Vespalicious ‘Kuala Lumpur by Night’ tour is explicitly designed to make you feel like a local, and it delivers. Big time.
Our first stop was a busy street lined with food stalls serving all kinds of glorious things: dumplings, Hakka noodles, char kuey teow, and a brothy pork soup so good you could easily go back for seconds (and then thirds). It wasn’t long before I realised I was going to have serious trouble getting on and off the Vespa with all the food rolling around in my stomach.
Mercifully, Dass zipped us to BookXcess, a dreamlike bookstore hidden inside an old cinema, full of winding staircases, hidden nooks, and a loooottt of crannies. I could’ve moved in, but the Vespa was beckoning, and soon we were cruising through mural-filled, lantern-lit alleyways in Chinatown. We managed a quick hydration break at a hidden speakeasy masquerading as a toy shop before it was time to eat again—this time Indian. Think kuttu paratha, roti tissue, and some seriously good masala chai.
Our final stop was the River of Life. The fountains danced, the KL sign glowed, blue light lit up the scene, and for a moment, everything felt perfectly, ridiculously cinematic. If this is what the rest of Malaysia is like, I thought, then I’m in for a real treat.
And the treats kept coming; this time, we were headed to Sarawak.
Sitting pretty on the island of Borneo, Sarawak is where rainforest royalty (read: orangutans) reign supreme, and where you’ll almost definitely have the best laksa of your life.
But first, we had to check out the state’s riverside capital city.
Kuching is one of those cities that sneaks up on you—charming, laidback, and just underrated enough to be unforgettable. We wandered its riverfront and stumbled upon (and by stumbled, I mean it was happening right outside our hotel’s front door) the Gawai Dayak Parade: a glorious riot of feathers, drums, and Dayak pride marching straight through town.
Later, we ducked down a side street and found a temple cloaked in incense and mystery, with dragons curling up the roof and lanterns swinging gently in the breeze.
But while I loved exploring Malaysia’s cities, it was time to go deeper. Like, way deeper.
We were picked up by Lemon, our Borneo Adventure guide/living legend, and soon we were headed out. Roughly four hours from Kuching, the Batang Ai river system is where the road ends, and the adventure begins by boat.
We motored deep into the jungle, slicing through narrow river channels flanked by overhanging trees, kingfishers flitting past, and water the colour of sweet tea.
Our first stop was Nanga Sumpa Lodge, nestled by the river and just a stone’s throw from an Iban longhouse. That evening, we sat cross-legged on woven mats with the village headman, who presided over us while our guide shared stories of how the Iban have lived in harmony with this land for generations. We drank some rice wine and, after a few spooky stories about headhunting (Google it), we called it a night.
The next day, we hiked to Enseluai Waterfall, which looked like it had been plucked straight out of a shampoo commercial. We swam just long enough to work up an appetite for our jungle BBQ lunch—so smoky and satisfying it felt unfair.
Full and sun-drenched, we cruised further upriver to Lubok Kasai Jungle Camp, our hideaway for the night. No frills, no electricity, just jungle sounds and more stars than I’d seen in years.
While we didn’t spot any wild orangutans during the trip (they’re notoriously afraid of humans and the jungle is… large), the journey and the experience itself were the reward. There’s a kind of deep, primal peace that settles into your bones out there, far from screens and urban noise. You notice things you forgot mattered: the crunch of leaves underfoot, the rhythm of cicadas, the feeling of your own heartbeat syncing with the jungle’s pulse. Out there, you don’t scroll—you look.
It’s a kind of magic that’s hard to find anywhere else. It’s in the Batang Ai river system, an almost tangible feeling you get as you take in the pristine beauty of the lush canopy above from your perch in the middle of a longboat. It’s in the face of your captain, a local headman who’s been navigating these waters for decades. It’s even in the small fruit bat flapping around your room at 3:30am (although, admittedly, I could’ve done without that last one).
But it’s the idea that you have to completely surrender yourself to the jungle that hooks you; surrender to its animals, its history, and its legends. There’s no Wi-Fi, and there’s barely even running water. And yet, it’s hard to find anyone who focuses on that because what you’re surrounded by is ten times better than being able to post a TikTok or have a warm shower.
“Not many people experience this. It’s almost like a place for meditation,” Lemon told us as we trekked through the jungle’s undergrowth. And he’s right. You feel closer to a purpose out here, to reflecting on what really matters. To the idea that protecting these pockets of untouched nature is perhaps more important than you ever realised.
Yes, the chance of glimpsing an orangutan in the wild might be what initially draws you to the jungle of Sarawak, but you’ll quickly learn that it’s the cultural heritage and serene natural environment that keep you entranced.
Call it the final frontier, or call it a warning: some places are just too rare to take for granted, and Sarawak is full of ‘em.
New York City is a delicious melting pot (literally) with more than 160 languages, a population of snack-obsessed locals, and enough street food smells to have your mouth watering for days.
From Jackson Heights’ kebab-scented sidewalks to Astoria’s secret speakeasies and Long Island City’s rooftop bars, this city doesn’t do subtle. It’s loud, it’s proud, and it’ll feed you ‘til you can’t stomach another mouthful. So, loosen that belt and grab a MetroCard – we’re eating, drinking, and talking our way through five days of Zohran Mamdani’s favourite NYC haunts. Pro tip: Bring your appetite.
I land in New York, bag dragging behind me and head straight for the borough where Mamdani’s tastebuds run wild: Queens. My first stop is Kabab King in Jackson Heights – one of his top choices because, biryani.
Rice layered like a spicy lasagne, steam rising, flavours sneaking up behind you. I plunge in, hands acceptable (per his protocol), plunging spoon & fingers into the mix. Then I roam Jackson Heights, taking in colourful murals and halal carts while listening to people chatter in a dozen tongues.
The evening’s agenda is to grab a drink at a local dive (ask for the house pour), people-watch from a stoop, digest the biryani and the city’s noise.
Lunch: at Pye Boat Noodle in Astoria (per Mamdani’s list). He raves about the koy nua (Thai raw-beef salad) which means I too shall plunge into slices of beef, chili, lime, overjoyed by the shock of flavour.
The afternoon’s mission is to find a hidden gem. Maybe a tiny neighbourhood bookshop, or a botanica tucked behind a barbershop. Catch sunset by the waterfront at Astoria Park and watch Manhattan sparkles across the river like a distant star.
Dinner: explore a Greek taverna (Astoria has choices) for simplicity: olive oil, grilled fish, no fuss. Then maybe a craft beer bar where the jukebox doesn’t play chart pop.
Mid-morning: hop on the subway (feel the rumble, smell the earnestness) into Long Island City (LIC).
Today, I want to emulate Mamdani’s third go-to spot – Zyara. Lamb adana laffa wrap, hummus, mint lemonade. It’s simple, street-food rough-charm meets Mediterranean flavour.
Afternoon: LIC has become another hidden-in-plain-sight zone. Rooftop views, industrial-chic cafes, and less tourist-saturated than Manhattan. I explore an art gallery or two, then take a waterfront stroll with Manhattan glimmering across the East River.
For dinner I plunge into Queens nightlife where I wanna find a cocktail lounge down a half-lit corridor or a speakeasy behind a bookstore and sip something smoky while I reflect on how food is culture and identity (yes, I’m channeling Mamdani’s vibe).
Okay, I cheat and stray into Manhattan (because you’re in NYC, you have to). But I keep it off-beat: breakfast tacos in the East Village, follow the smell of coffee and doughnuts.
Late morning: visit a lesser-known museum. Maybe the Tenement Museum or something quirky in Lower Manhattan and for lunch, discover a tiny immigrant-run diner or a Caribbean spot in Harlem (because Queens wasn’t the only borough with rich food).
Afternoon: wander through unknown streets – alphabet blocks, local corner stores, street art, the weird things that don’t appear in every guidebook.
Evening: head back into Queens for dinner. Find a Colombian-Peruvian fusion spot in Jackson Heights, maybe. Keep it grounded, keep it real: neighbourhood tables, big flavours, local chatter.
And if you’re after a nightcap, perhaps a Jamaican rum bar with reggae, laughter, and no dress code.
Brunch time: slide into Brooklyn (Williamsburg or Bushwick) for a patio brunch. Think avocado, eggs, kale (sob) but with a local twist and coffee so strong that you’re instantly awake.
Around midday, I returned to Queens for a farmer’s market/street-food fair. I really wanted to taste something weird. Maybe a dumpling-sandwich hybrid? Something fermented? Or pickled? Boom, check it off the list.
The afternoon bought a meander through the boroughs one last time. I even indulged and caught a ferry ride back to Manhattan, skyline glinting, the wind funny in my hair.
For dinner, I opted to go big but keep in character. If you’re keen too, choose a restaurant that is stylish but not slick, perhaps a Brooklyn brownstone converted eatery, or a Manhattan rooftop with city-noise as soundtrack. Toast with a local craft beer or a natural wine. Then head to a rooftop bar for the skyline one-last time.
Late night: sit on a bench by the river, listen to the hum of the city, reflect that you ate like the mayor’s tastebuds: diversely, unapologetically, across boroughs. And yes, you got lost in the best possible way.
Quiet streets, steamy baths, and more ramen than your heart can handle, this is Japan off the beaten path.
I’ve been to Japan before; the usual suspects, Tokyo’s neon maze and Kyoto’s temple trails. But Kyushu? That felt different. As soon as I landed on Japan’s southwestern island, I could sense it. The pace dropped a notch. The air felt cleaner. The smiles lingered longer. This wasn’t a place built for ticking boxes or selfie queues; it was a place to slow down, eat well, and soak in a culture that hums quietly beneath the surface.
Far from the crowded tourist circuits, Kyushu offered the kind of travel that sneaks up on you. Dramatic volcanoes one day, steaming hot springs the next, and as a food lover, this was heaven – fresh seafood, sizzling wagyu beef, hearty tonkotsu ramen, and plenty of unique local specialties. I’d come for a glimpse of Japan’s “deep south” and left wondering why more people don’t.
My journey wound through five prefectures – Nagasaki, Saga, Fukuoka, Oita, and Miyazaki – each one with its own quirks, flavours and rhythm.
It began in Nagasaki, a city where East and West have been mingling for centuries, sometimes gracefully, sometimes not. You can feel history here in the air, softly at the Peace Park, where past and hope coexist in the same breath, and loudly on the steep climb up Mount Inasa, where the city spills out below in glittering perfection.
Lunch was at Bistro Bordeaux, where I ordered something called Toruko Rice, a baffling but brilliant combination of rice, pork cutlet, and spaghetti that somehow works. Only in Nagasaki could such a cultural mashup feel completely normal.
At Dejima, the old Dutch trading post that was once Japan’s only window to the West, I wandered through reconstructed wooden buildings imagining the merchants who once called this tiny island home. Over at Glover Garden, perched high on the hill, the Meiji-era mansions offered a different perspective – Europe by way of Asia, complete with sweeping harbour views and architectural flair.
I checked into Hotel Indigo Nagasaki Glover Street that night, perfectly positioned to soak up the city’s layered history. After one of the best sleeps ever (exploring will do that to ya), I squeezed in a stop at Spectacles Bridge, where the double arches mirror perfectly in the river below. It’s the kind of quietly beautiful moment that Nagasaki does best – history and harmony, side by side.
I was soon heading to Saga, and it was the reset button I didn’t know I needed. Where Nagasaki buzzes, Saga breathes. I started the day wandering through Keishuen Garden, a calm patchwork of seasonal colour that instantly lowered my heart rate.
Before long, I settled into the traditional tea ceremony room, where I whisked my own bowl of matcha while gazing out at the carefully composed landscape. There’s something meditative about preparing tea yourself – the precise movements, the bitter-sweet first sip, the way it forces you to be present.
Then came Yutoku Inari Shrine, where I participated in a miko (shrine maiden) dance and worship ceremony at the main hall. Watching the shrine maidens perform their graceful ritual movements and taking part in the traditional prayers offered a genuine glimpse into Japanese spiritual culture that felt both ancient and alive. And I was obsessed.
Later, in Hizen Hama, I wandered narrow streets lined with traditional sake breweries. This area is designated as an Important Preservation District for Groups of Traditional Buildings, and you can feel the weight of history in every weathered beam and tile. Each brewery carried a distinct aroma of rice and fermentation. The brewers were happy to pour samples and stories in equal measure, but thankfully I know my limits.
That evening, I slid into the silky waters of Ureshino Onsen – a hot spring famed for its skin-softening magic – and instantly understood the hype. Emerging an hour later, I felt reborn, or at least extremely well-steamed. I stayed at Yadoya Uchiroji, a charming ryokan where everything, from the tatami mats to the gentle clink of teacups, seemed designed to lull you into serenity. Dinner at Hanano sealed the deal – fresh, seasonal, and perfectly balanced.
Before leaving the next morning, I stopped at Chaoshiru to learn the fine art of brewing green tea. I’ll be honest: I’ve been making it wrong my entire life.
Fukuoka was next, a city that somehow balances modern buzz with centuries of tradition. In Yanagawa, I hopped on a slow-moving riverboat that glided through old canals flanked by willows and Edo-era houses. The pace was hypnotic, broken only by the rhythmic singing of the boatman. Lunch at Fukusensou was a highlight: perfectly plated local specialties that were almost too pretty to eat. Almost (read: I devoured every last bite).
That night, I checked into Ohana, a ryokan that once belonged to a samurai family, all sliding doors and quiet grace. The 18th generation head of the Tachibana family, who once ruled this Yanagawa area, actually still serves as the representative today, and if you’re lucky, you might be able to hear stories about the Tachibana family directly from her. But as I was lying in bed, I thought “It’s impossible not to slow down here”.
Fukuoka’s craft culture shines in its small towns. In Miyama, I found peace at Kiyomizu-dera Temple, tucked in misty forested hills. In Yame, I tried my hand at bamboo blind-making (badly) and learned about the intricate weaving of Kurume Kasuri, Japan’s oldest indigo textile. The locals’ quiet pride at my attempt was contagious.
By nightfall, I was at Hiroshi, one of Fukuoka’s famous yatai: open-air food stalls where strangers become drinking buddies within minutes. Elbow to elbow with locals, slurping ramen under the glow of paper lanterns, I felt that satisfying travel truth – connection really doesn’t need a translation.
The next day, I dipped into Fukuoka’s modern side, with plant-based meals at & S Organic and Soy Stories proving that innovation and tradition can happily share a table.
Then came Oita, a prefecture that feels like Japan pressed “relax.” I started in Hita, wandering the beautifully preserved Edo-era district of Mamedamachi, where the wooden shopfronts looked as if they hadn’t changed for centuries. I stopped for Hita Yakisoba, crispy, smoky, glorious noodles that ruined all others for me (especially my beloved 2-minute noodles from back home).
At Ajimu Winery in Usa, I sampled local wines surrounded by green hills and thought: why is no one talking about this place? In Beppu, I joined the famous “Hell Tour” – a collection of hot springs so vividly coloured they look photoshopped. There’s the cobalt-blue Sea Hell, the rust-red Blood Hell, and several others that burble and hiss like something from another planet.
To balance all that inferno energy, I soaked in the therapeutic waters of Kannawa Onsen—the kind of steamy, old-school bathhouse that melts your muscles so completely you wonder if they’ll ever tense up again. I stayed at BEPPU FUGA, a minimalist haven where soft lighting, impeccable service, and an onsen view did unspeakable things to my stress levels.
The next day took me to Saiki, where I started at Taiyo Farm. I got to try my hand at crafting some wooden chopstick holders and had a chance to taste their delicious roasted nuts. Later, at the Saiki City Historical Museum, I traced the region’s fascinating maritime heritage and samurai past through well-curated exhibits that brought centuries of local life into focus.
Finally, I arrived in Miyazaki – the wild heart of Kyushu, where mythology and nature blur together. My first stop was Amanoiwato Shrine, believed to enshrine the cave where the sun goddess Amaterasu-Omikami once hid, plunging the world into darkness. Near the shrine lies Ama-no-Yasukawara, a mystical riverside cave where, according to legend, eight million deities gathered to discuss how to lure Amaterasu back out. Whether or not you buy into the legend, standing in these sacred places feels deeply spiritual.
Later, I joined a Kappo-dori cooking experience to learn the local art of preparing chicken using traditional bamboo cooking methods. The chicken is grilled inside lengths of fresh bamboo over charcoal – a technique that infuses the meat with a subtle, earthy fragrance. Yes, it’s a simple method but my god was the end result absurdly delicious.
At Takachiho Gorge, I stood on the edge of cliffs carved from ancient lava flows, looking down at emerald-green water so still it mirrored the sky. The waterfall misted my face, and for a moment, time felt irrelevant. That night, I stayed at the Art Hotel Miyazaki Sky Tower, where the beds were soft, the views wide, and the Miyazaki Wagyu (Japanese beef) dinner downright indecent.
On my final morning, I followed the coastline south, stopping at Horikiri Pass to stare out over the Pacific. The ocean stretched forever. At Aoshima, I walked across the famous “Devil’s Washboard” rock formations to a tiny island covered in lush palms and home to a tranquil shrine. It was the perfect finale, a reminder that sometimes the best places aren’t loud about their beauty.
Kyushu has everything Japan does best; food that makes you want thirds, nature that humbles you, and hospitality so genuine it feels like a hug. But what sets it apart is its soul. Every prefecture tells a story, every encounter lingers.
If you think you’ve “done Japan,” think again. Down south, in Kyushu, the real magic is still hiding in plain sight.
Because art appreciation should start young, local starchitect Tadao Ando created this dreamy space for kids (and nostalgic adults). The multi-level library is wrapped floor-to-ceiling in books (over 20,000 of them) themed around everything from nature to the future. You’ll need a reservation, but it’s worth it just to wander through Ando’s serene concrete world and pretend you’re eight again.
After a glow-up that took nearly two years, this long-loved museum reopened in 2024 with a slick new glass entrance and the same world-class collection of East Asian ceramics that made it famous in the first place. Over 1,000 pieces from China, Korea, and Japan sit under one roof as part of the legendary Ataka Collection gifted by the Sumitomo Group back in the day. Even if you don’t think ceramics are your thing, the craftsmanship will have you astounded.
Because art appreciation should start young, local starchitect Tadao Ando created this dreamy space for kids (and nostalgic adults). The multi-level library is wrapped floor-to-ceiling in books (over 20,000 of them) themed around everything from nature to the future. You’ll need a reservation, but it’s worth it just to wander through Ando’s serene concrete world and pretend you’re eight again.
Right across the road (because convenience is art too), The National Museum of Art is mostly underground, literally. It dives three floors beneath the surface, hiding one of Japan’s biggest contemporary collections. Think Joan Miró, Alexander Calder, Yoshihiro Suda, and a few thousand other big names, all tucked away under Osaka’s concrete jungle.
After a glow-up that took nearly two years, this long-loved museum reopened in 2024 with a slick new glass entrance and the same world-class collection of East Asian ceramics that made it famous in the first place. Over 1,000 pieces from China, Korea, and Japan sit under one roof as part of the legendary Ataka Collection gifted by the Sumitomo Group back in the day. Even if you don’t think ceramics are your thing, the craftsmanship will have you astounded.
Because art appreciation should start young, local starchitect Tadao Ando created this dreamy space for kids (and nostalgic adults). The multi-level library is wrapped floor-to-ceiling in books (over 20,000 of them) themed around everything from nature to the future. You’ll need a reservation, but it’s worth it just to wander through Ando’s serene concrete world and pretend you’re eight again.
Once known mostly for takoyaki, neon, and a healthy disregard for subtlety, Osaka’s quietly built itself a serious art cred. Nowhere is that more obvious than Nakanoshima, a skinny sliver of island wedged between the Tosabori and Dojima rivers.
Once full of offices and government buildings, it’s now morphing into the city’s cultural heart – a three-kilometre stretch of sleek museums, design spaces, and arty haunts. Base yourself at Zentis Osaka, the city’s only Design Hotels member and a destination in its own right. Its interiors were dreamt up by British designer Tara Bernerd, who’s also behind swanky spots like SIXTY SoHo in New York and The Hari hotels in London and Hong Kong. The look? Polished, tactile, and cool without trying too hard which is basically how you’ll feel after a night here.
Here’s the 4 museums the Zentis crew sends their art-loving guests:
1. Nakanoshima Museum of Art, Osaka
Thirty years in the making, this black cube of a museum finally opened in 2022. And it was absolutely worth the wait. Inside, it’s all brushed steel, polished concrete, and over 6,000 works covering everything from 19th-century Japan to today’s global scene. Keep an eye out for pieces by local legend Yuzo Saeki, a Modigliani nude, and rotating exhibitions that give Osaka’s creative pulse the attention it deserves.
Right across the road (because convenience is art too), The National Museum of Art is mostly underground, literally. It dives three floors beneath the surface, hiding one of Japan’s biggest contemporary collections. Think Joan Miró, Alexander Calder, Yoshihiro Suda, and a few thousand other big names, all tucked away under Osaka’s concrete jungle.
After a glow-up that took nearly two years, this long-loved museum reopened in 2024 with a slick new glass entrance and the same world-class collection of East Asian ceramics that made it famous in the first place. Over 1,000 pieces from China, Korea, and Japan sit under one roof as part of the legendary Ataka Collection gifted by the Sumitomo Group back in the day. Even if you don’t think ceramics are your thing, the craftsmanship will have you astounded.
Because art appreciation should start young, local starchitect Tadao Ando created this dreamy space for kids (and nostalgic adults). The multi-level library is wrapped floor-to-ceiling in books (over 20,000 of them) themed around everything from nature to the future. You’ll need a reservation, but it’s worth it just to wander through Ando’s serene concrete world and pretend you’re eight again.
Groundwater turns the Gold Coast into a boot-stomping, beer-slinging celebration of all things country.
I checked into The Star Residences on a sun-splashed Friday morning, the kind of Gold Coast day that makes you want to ditch your to-do list for a swim and a schooner. The Star sits right in the middle of Broadbeach, sleek and glassy with that polished-but-relaxed vibe the Coast does so well. From the 26th floor, the ocean stretched out like a blue-screen fantasy and the hum of the city below was already warming up for the weekend. It was perfect festival positioning. Close enough to walk everywhere, far enough to retreat when my dancing legs inevitably gave up (a little foreshadowing for ya).
The apartment I was staying in was all marble and light with a balcony that practically begged for pre-festival drinks. I unpacked my boots, dropped my hat on the counter, and poured something sparkling before heading out the door. The Groundwater Country Music Festival had officially kicked off, and the streets of Broadbeach were alive with the sound of steel guitars, laughter and the faint, unmistakable twang of an Aussie-ish southern drawl.
What’s wild about Groundwater is that it takes everything you think you know about country festivals – dust, paddocks, hay bales, beer cans – and drops it smack-bang on one of Australia’s glitziest beaches. Instead of a sea of caravans and cowboy hats in the outback, you get cowboy hats wandering past high-rises and surfboards. The juxtaposition shouldn’t work, but it absolutely does. Country music with a sea breeze? Yes please.
I started at the main precinct in Kurrawa Park when the sun went down, where the smell of barbecue smoke drifted through the air. Market stalls lined the grassy edges, selling everything from hand-tooled leather belts to sequined cowboy hats, pearl snap shirts, and boots so sharp they could cut glass. There was even a stand offering custom belt buckles that could double as small dinner plates. Nearby, the food trucks were going hard — slow-cooked birria tacos, cheesy quesadillas, crispy fish & chips, churros, and (because this is the Gold Coast) a stall selling ceviche for anyone pretending to be healthy between beers.
One of the best parts about Groundwater is that it’s completely free and spread out across the whole of Broadbeach – you can wander from Kurrawa Park to the Surf Parade strip, catching different acts at every turn; a musical treasure hunt if you will, where every street corner has its own rhythm. I drifted between stages, cold drink in hand, as Casey Barnes played a set that hit like a heartbroken road trip, followed by the smooth, soulful grit of Michael Honan. Both were pure proof that Australian country is in a very, very good place.
By the time I wandered back to The Star that night, the elevators were full of festivalgoers in boots and hats, still buzzing, still humming snatches of whatever song had been stuck in their head for hours. I poured another glass, kicked off my shoes, and watched the glow of the city lights bounce off the ocean. You couldn’t ask for a better view. Or a better bed to collapse into after a day of dancing, eating, and (possibly?) mild dehydration.
The next morning started early. The Loose Moose was hosting its now-legendary Bluegrass Breakfast with Huxley & Friel, and I wasn’t about to miss the chance to eat bacon while listening to live mandolin before 9 am. The place was absolutely buzzing. Like, it was impossible not to grin as the duo jammed away, the crowd clapping along between bites of eggs benedict. There’s something deeply satisfying about that combination – coffee, comfort food and twangy tunes – especially when you know you’ve got another full day of festival chaos ahead.
From there, the day blurred into a glorious rhythm of sun, sound and movement. The beauty of Groundwater is that there’s always something happening within walking distance — one moment you’re at a laid-back songwriter session, the next you’re surrounded by a crowd losing their minds to a big stage act. I caught Michael Honan (because once isn’t enough) as he lit up the Broadbeach Mall Stage, then drifted to see Aaron D’Arcy at Oracle Boulevard. Every performer seemed to feed off the crowd. The energy was high and the smiles were so genuine.
Somewhere in between sets, I found myself back at the main area, eyeing off a pair of boots that I definitely didn’t need but almost certainly deserved. Around me, families sang together and couples slow-twirled. It’s what I love about this festival, it’s not pretentious, not polished within an inch of its life. It’s just good people, great music, and a ridiculous amount of happiness.
At one point, I stumbled into a crowd gathered around the Beach Deck, where Chris Watson was leading a line-dancing class. Now, I’m not exactly the coordinated type, but there’s something disarming about a group of strangers moving in perfect sync (or, in my case, trying to) with the ocean as your backdrop. The steps were easy enough, the vibe infectious, and the laughter came faster than the rhythm. Even if your boots aren’t made for dancing, they’ll sure be sliding by the end of it.
By Saturday night, Broadbeach was officially transformed. The streets were packed, balconies filled, and every open space had become a makeshift dance floor. The Wolfe Brothers brought the kind of energy that made the whole crowd forget the concept of personal space, and Nikki Lane (making her first Australian appearance in over a decade) reminded everyone exactly why she’s one of the coolest voices in country. The music spilled out of every corner and the atmosphere was so alive you could almost bottle it.
But Sunday rolled around far too quickly. I dragged myself out of bed and wandered over to the Kurrawa Big Top catch a quieter, more intimate session with local songwriters. The slow start felt right – reflective, a little emotional, the calm after the storm. But of course, the calm didn’t last. The afternoon built into one final surge, with The Buckleys bringing their infectious energy and Troy Cassar-Daley wrapping it all up in style. His set felt like the perfect full-stop to three days of music, movement and pure coastal chaos.
As the final chords rang out over the Surf Parade Stage, the crowd erupted; a sea of boots, hats, and sunburnt smiles under a sky blushing pink with the last of the light. I stood there, dusty and happy and absolutely spent, watching as people hugged, cheered, and promised to come back next year. And honestly? I’m right there with them.
As I took one last stroll back to The Star, boots scuffed, voice gone, and spirit full, I couldn’t help but laugh at how perfectly it all fit together; country and coast, sand and steel, music and mischief. Groundwater might not be your typical country festival, but that’s exactly why it works. It’s the Gold Coast with a southern accent, and I’ll happily check back in next year to hear it sing again.
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