Tone of voice contributors guide

For writers, contributors, and word-slinging wanderers.

1. Who we are: the irreverent voice of global adventure

get lost Magazine isn’t your average travel publication.

We’re the voice for people who think ‘all-inclusive’ is a dirty word, who’d rather chase a sunrise from the back of a rickety tuk-tuk than watch it from a resort balcony. We celebrate the unpolished, the unexpected, and the unforgettable corners of the planet, the ones you find when you throw away the guidebook and get gloriously, hilariously lost.


2. Our core values (and how they sound)

Every word you write for get lost should reflect the following core values. They’re the compass that points our tone of voice in the right direction:

Authenticity

Tell the truth, even when it’s messy. Especially when it’s messy.

Curiosity

Ask questions, dig deeper, go beyond the obvious.

Irreverence

Poke fun at yourself, at travel clichés, and sometimes at the world, but never at people or cultures.

Humanity

We’re not guidebooks. We’re storytellers. Make it personal, relatable, and deeply human.

Adventure

Celebrate risk-taking, courage, and the joy of stepping far outside the comfort zone.

3. Our audience: the curious and the restless

Our readers are adventurous souls, often aged 30 to 55, who crave stories that make them laugh, inspire them to book a flight, or rethink how they travel.

They want depth and discovery without the dullness.

They’re intelligent but not pretentious, well-travelled but still curious, and they appreciate writing that speaks to them like a friend over beers, not like a brochure.


4. Tone and style: how we speak

Think of get lost’s tone as your well-travelled mate, the one with stories so wild you lean in closer to hear every word. Here’s how that translates to writing style:

Conversational

Write like you speak, naturally, warmly, and with personality. Use contractions (“we’re,” “you’ll”), rhetorical questions, and a wink of humour.

First-person & personal

Whenever possible, write from experience. Bring the reader along for the ride. (“I’m sweating bullets halfway up the mountain, wondering why I said yes to this.”)

Irreverent & humorous

Don’t be afraid to poke fun at yourself, the situation, or travel clichés. A little sarcasm is welcome but just don’t be mean.

Descriptive & vivid

Make the reader feel it. Use sensory detail. Describe smells, sounds, textures to transport them into the story.

Honest & opinionated

If something was awful, say so. If it was magical, gush about it. Authenticity builds trust.

Informed but not preachy

Share interesting context and cultural insights without sounding like a textbook. A fact or two can be great, a lecture, not so much.

5. Dos and don’ts

✓ Do

  • Be bold, witty, and engaging.
  • Write in the present tense when telling first-person stories. It adds immediacy.
  • Include personal reactions, thoughts, and emotions.
  • Capture the quirks; the strange, hilarious, or chaotic moments that make travel memorable.
  • Show respect and curiosity toward local people and cultures.
  • Swear sparingly and purposefully if it fits the tone — we’re not PG, but we’re not crass for the sake of it.

✗ Don’t

  • Sound like a travel brochure or corporate press release.
  • Use clichés like ‘hidden gem,’ ‘melting pot,’ or ‘breathtaking views.’
  • Talk down to the reader or assume they know less than you.
  • Overuse adjectives. One well-chosen image beats a list of buzzwords.
  • Reduce people or places to stereotypes.

6. Examples of tone in action

✓ get lost style:

The tuk-tuk wheezes up another alleyway, past a woman frying something that definitely isn’t chicken and a monk scrolling TikTok. I’m drenched in sweat, two beers deep, and I’ve completely lost the temple. And honestly? I’ve never felt more alive.

✗ Not our style:

Phnom Penh is a vibrant city with many cultural highlights. Visitors can enjoy a range of delicious street foods and traditional experiences, including visiting temples and local markets.

See the difference? One tells you what to expect. The other takes you there.


7. Consistency is key

Whether it’s a 1,200-word feature, a 100-word blurb, or an Instagram caption, the tone should always feel unmistakably get lost: funny, vivid, human, and real.

Every word should sound like it was written by someone who’s actually been there, preferably someone who got mildly lost, accidentally drank the local moonshine, and made a few new friends along the way.

8. Final checklist before you file

Before hitting send, ask yourself:
  • Does this sound like a conversation, not a lecture?
  • Have I included my personal perspective or emotional reaction?
  • Would I want to read this aloud to a mate over a drink?
  • Is it irreverent but still respectful?
  • Does it make someone want to go?

If you can tick all those boxes, congratulations — you’re writing like get lost.


Frequently asked questions

 

How can I contribute content?

Easy. Pitch us something that makes us want to stop scrolling and immediately open Google Maps.

We accept contributions from writers, photographers, filmmakers, adventurers, travellers, and people who’ve accidentally found themselves in wildly memorable situations halfway across the planet.

To contribute, send us:

  • a short pitch or story idea
  • a brief intro about yourself
  • links to previous work (if you have them)
  • any accompanying imagery or photography samples

Most importantly, make sure your idea actually feels like get lost. We’re after stories with personality, perspective, humour, chaos, curiosity, and a strong sense of place, not generic travel summaries that read like they were copied from a tourism website.

If your story involves:

  • getting mildly stranded
  • meeting unforgettable locals
  • questioning your life choices mid-hike
  • discovering somewhere weird/wonderful
  • eating something slightly terrifying
  • laughing at yourself
  • seeing a destination from a genuinely fresh angle

…you’re probably on the right track.

Send pitches and submissions to info@getlostmagazine.com

And yes, we do read them.

How long should pitches be?

A few paragraphs is usually enough. Tell us:

  • what the story is
  • why it’s interesting
  • why now
  • why you’re the right person to tell it
  • what access/experiences/imagery you have

If your pitch takes longer to read than the actual article would, that’s probably a sign to trim it down.

What makes a get lost story worth publishing?

We love:

  • stories with tension, transformation, chaos, humour or emotional payoff
  • unusual angles on familiar destinations
  • experiences with strong characters and narrative
  • cultural insight without sounding like Wikipedia
  • places that surprise us
  • stories only you could tell

We’re less interested in:

  • generic destination roundups
  • “top 10” style listicles
  • overly polished luxury coverage
  • AI-sounding copy
  • stories that could’ve been written without actually going there

What imagery requirements do you have?

Strong imagery matters. A lot.

We prioritise authentic, immersive visuals that feel like they were captured by someone actually experiencing the destination, not just standing in front of it.

We love:

  • candid moments
  • strong landscape photography
  • interesting people
  • movement/action
  • texture and atmosphere
  • unexpected details

We’re less interested in:

  • generic stock-style shots
  • overly filtered drone spam
  • staged influencer poses
  • photos that feel more “content creator” than storyteller

High-resolution images are essential for print consideration.

How long does it take to hear back?

We do our best to respond as quickly as possible, but response times can vary depending on editorial schedules and submission volume.

If you haven’t heard from us within 2–4 weeks, it’s okay to send a polite follow-up.

And if we don’t reply immediately, please don’t dramatically quit travel journalism and move to a remote island. We’re probably just buried in emails.