Hike into thin air in the Annapurnas

You can be the strongest man in the world, but if you aren’t mentally strong, you’ll never make it to the top,” says Karma. He should know. A descendent of the ancient Sherpa tribes of eastern Tibet, with more than 23 years’ trekking experience, Karma has conquered Everest more times than he can count, and knows my fatigued expression all too well. I’m struggling to keep my eyes open, and nod in agreement, my whole body aching as we sit around a crackling fire.

What should have been a leisurely first day of trekking turns into the longest footslog of my life after a landslide wipes out our planned route. Sapped of energy, I find myself confronted with a whirl of images: hills of technicolour green, decorated mules, bright rippling prayer flags, laughing children and men who put my feeble stamina to shame as they clamber up hills with sheets of plywood strapped to their foreheads. I, on the other hand, have to will myself to keep moving, gingerly putting one foot in front of the other in oppressive humidity 
as I climb an unending path of stone steps.

I’m on the adventure of a lifetime: a 12-day trek climbing through the spiritual wilderness of the Himalayas to Annapurna Base Camp. 
At 4310 metres (13,550 feet), she is the smaller, less famous sister of Mount Everest. While Everest is synonymous with the summiting 
elite and famed for its record-breaking altitudes and desolate, dramatic vistas, the Annapurna ranges are a utopian wonderland of rice fields, bamboo forests, gushing rivers and quaint villages.

With a group of 10 trekkers, five Sherpas and five porters, I’m embarking on the Maiti Trek, a fundraising expedition with BluSheep Tours. Trekkers raise AU$1000 (about US$750) to participate (on top of the hike fee), with proceeds going to either Maiti Nepal, an NGO fighting against the trafficking and slavery of women and children, or Women Lead, a leadership development group for Nepalese women.

Our journey begins with a 30-minute flight from Kathmandu to Pokhara in a tiny 30-seater aircraft. We file into jeeps and quickly discover it’s every driver for themselves as we hold on for dear life, careening through the city’s streets, dodging potholes, motorcyclists, cows and the occasional herd of goats. We soon leave civilisation behind and the urban landscape recedes into a tangle of leafy trees, mountains smeared with grass and rural vistas infused with the freshest air.

Our Sherpas are Pasang, Kiran, Dawa and Pemba. They are a tight-knit bunch. Pasang is Karma’s right-hand man. The others are young and excited; Pemba is Karma’s son, Dawa his nephew, and Kiran a family friend who lives in their building. Karma tells me on the sly that Pemba begged to come on the trek. “I said yes, but only if he does his homework,” he chuckles.

We set off from the outskirts of the tiny village of Syali Bazar just after midday. We have no idea what we’re in for and our initiation is brutal. Six hours later, slumped in a chair beside the fire, I have a newfound appreciation for life’s creature comforts. A bed has never looked so inviting.

At 5.30am, the village of Ghandruk is suffused with a soft glow but cold air slaps your face. A field of crops leans towards where the sun will rise. Beyond, a mass of snow-capped mountains surrounds our lodge, so close you can see each crevasse and soft curve of snow. This is the backdrop for breakfast. We fuel up on potatoes and freshly baked bread while gazing at the peaks of Annapurna South, Hiunchuli and Machapuchare, known as the Fish Tail for its unique fin-like appearance.

The first drops of rain begin just before noon, quickly turning into a full-on deluge that brings momentary relief from the heat. Karma explains the monsoon has run later than usual and we are hiking in upwards of 35°C. Even the Nepalese, accustomed to the climate, are struggling with this unseasonable warmth. Our porters, usually impossible to catch, scurry only a short distance ahead of us, their eyes screwed up under the weight of their cargo.

The weather also brings out some sinister creepy-crawlies. “There’s a leech on me!” I squeal. Karma, mistaking my enthusiasm for horror, yanks it from my calf, leaving blood to trickle down into my boot. I’m excited about my first authentic encounter with Himalayan wildlife, but it’s good to know Karma has got my back.

During the afternoon of our third day, our wet-weather gear gets a workout. The soft pitter-patter of rain and the gentle crunching of gravel underfoot are the only sounds that break the silence of the bamboo forest. Everything is green – thick dark trees with bright leaves surround us, wet moss clings to boulders lining the path, and a blanket of foliage sprawls overhead. It’s beautiful, and just when I begin to wonder where all the bamboo is, I see a cluster of it – skinny stems all bunched together – then realise it’s everywhere.

I fall back with Pemba. A pensive 16-year-old, he is as quiet as he is agile, his smile a familiar shade of his father’s. Pemba soon comes out of his shell and we talk about everything, from his aspirations and hobbies to Nepalese politics, corruption and the country’s complex history. Occasionally the conversation slows as I concentrate on a mossy step or a slippery rock, but Pemba doesn’t miss a beat. He leaps in front to help me where he can, latching onto my backpack to steady me as we slog through the deluge, eventually edging down a rugged decline towards the tiny village of Bamboo.

Our days are spent scaling jagged stone steps and trudging through slippery mud. We negotiate precarious log crossings over tumbling rivers. We stop to admire waterfalls cascading down mountain faces, and to appreciate precious epiphanies, like realising we’re standing in the depths of a cloud.

In the afternoons we settle into our accommodation. Luxury lodges morph into sparsely furnished teahouses, a lonely bulb clinging to the end of a cord providing the only light. At night we devour noodle soup, vegetable momos (dumplings) and various interpretations of dal bhat (lentil curry). Apart from each other, a deck of Uno cards is our only source of entertainment. Competition becomes fierce and the Sherpas, who usually keep to themselves, sit down with us, playing along with enthusiasm.

As dawn breaks on our sixth day, I clutch a steaming bowl of porridge inside our dormitory-cum-common room. Today is our final ascent and the group is up early in anticipation, teeth chattering against a soundtrack of snoring from our fellow trekkers. My breath puffs out in a cloud, giving the impression I might start breathing fire at any moment. It’s hard to imagine I’d been drowning in a pool of sweat only days earlier.

The air is thin but I’m yet to feel the effects of the altitude. Most of our group has succumbed to the meds (Diamox is the drug of choice), but I’m quietly confident I can make it to Base Camp without it.

“Zoom, zoom!” comes the marching call from the Sherpas. We file into a valley, enjoying another downhill reprieve before the next climb and thrilled to be so close to reaching the climax of the trek. It takes some time to realise that it’s not excitement that has my heart thrashing against my ribcage like a violent criminal attempting a prison break, but altitude. My breath comes in short sharp rasps and I stagger, trying to suck in lungfuls of air. I make it to a plateau and rest, close my eyes and try to calm my heart rate. The oxygen is noticeably lacking up here, my inflated ego expiring with it. For the first time I can empathise with my fellow trekkers.

We break for lunch at Machapuchare Base Camp – the final pit stop before we reach our destination. The sacred Fish Tail is unconquered and off-limits to climbers, who fear being struck down by Lord Shiva, who is said to reside on the summit, or so the legend goes. However, its virgin status has been questioned over the years. The only known attempt was in 1957 by British trekkers Wilfred Noyce and A.D.M Cox, who turned back just 150 metres from the summit at the behest of the King of Nepal himself.

Clouds materialise, swirling above us, consuming the last rays of sunshine. By the time we resume walking, the cloud cover is so dense anyone more than a few steps ahead seems to vaporise in the fog. There’s little sign of life, save for the light whistle of wind through 
the grass and the sound of water trickling somewhere in the distance.

After what feels like hours, I spot a flimsy wooden sign and the flash of a colourful prayer flag rippling in the wind: “Namaste. Amazing Annapurna Base Camp…” Whoops of glee bounce between us. After thousands of stairs, suffocating heat, torrential rain and overcoming 
our mental demons we have made it.

Well, we assume we have. We can’t see anything.

Despite the poor visibility, we celebrate somewhat deliriously with steaming cups of tea and coffee flowing hot into our bellies. That night we collapse into bed with the greatest satisfaction, chattering excitedly before fatigue gives way to sleep.

It’s barely light and a crowd has already assembled at the viewing point, rugged up in beanies and thick down jackets. The air buzzes with excitement. What was invisible on our arrival is now emblazoned before us like stills on a giant projector screen – charcoal peaks coated with soft white powder puncture the sky surrounding us. Karma points to each peak, naming them: Annapurna I, Barasikhar, Annapurna South, Hiunchuli, Machapuchare, Gandharva Chuli…

“The sun will rise on Barasikhar,” he says, rubbing his hands together.

There’s a collective inhalation, followed by a silence that sweeps across the hilltop. The sun breaks over Machapuchare and the peak of Barasikhar is illuminated in a soft rose-gold that oozes down the mountain. For a moment I forget that I’m sore, exhausted, freezing and looking every bit like I haven’t showered in three days. I witness the elements align for this one glorious moment, consumed with an overwhelming sense of gratitude for this simple, flawless show of nature.

All too soon it’s time to start our journey back. I’m not ready. There’s something inside me that says I’m home. With one last look, 
I vow to return one day and we begin our slow and steady descent.

It turns out it’s a lot harder going down than it is up. The descent quickly takes its toll on my knees and my feet feel like compressed balloons set to explode. When we eventually shuffle into the colourful village of Jhinu Danda on our last full day of trekking, hot springs trump the lure of a shower. We sink into the steaming riverside baths, our aching bodies shrieking with pleasure after the previous 
two days of downhill torture.

“Tea? Coffee? Hot lemon?” I smile at Dawa as he gathers everyone’s morning beverage order, a lump forming in my throat. This is the last day with our Sherpas before we say goodbye. I’ve become used to their familiar presence; through this journey we have become one big family.

Less than 24 hours later I’m back in the bustle of Kathmandu. We meet with the Maiti Nepal and Women LEAD charities, and it’s only now I appreciate the enormity of what we’ve accomplished. We are greeted with a sea of toothy smiles, enthusiastic waves and tender embraces infused with the kind of emotion that sinks deep into your soul. These women and children have experienced horrors darker than we can imagine, yet they exude an aura of hope and courage.

I have overcome mental and physical hurdles to conquer the challenge of a lifetime, but my journey pales into insignificance in this company. These people are the epitome of strength.

Karma would be so proud.

The Islands Beyond Bali

I trace the flight of a butterfly that darts through the open canopy of our boat and out over the gleaming Java Sea lagoon. As it disappears my eyes settle on an island of surreal granite boulders that hold their backs to the water.

Fine white sand spills from between the rocks onto a gentle beach where painted wooden vessels nuzzle each other and a handful of people dip their feet. For a moment I feel a pang of loss as we pass by without stopping, but when I widen my gaze a dozen similar configurations of boulders, white sand and coconut palms come into view. It’s as if the beaches are clamouring for visitors but there aren’t nearly enough to go around.

With the help of Rusty, a self-styled tour boat captain and beach shack restaurateur, I’m exploring a chain of uninhabited islands off the coast of Belitung, a modest island between Borneo and Sumatra. In 2009 this beautiful coastline starred in the one of the biggest box office hits in history, but unless you’re a late-night SBS movie buff you’ve probably never seen it. That’s because the film is Laskar Pelangi (Rainbow Troops), a runaway success for the Indonesian film industry that sparked a mild boom in domestic tourism for this otherwise obscure island, once known only for mining. For me, it’s clear that the potential here has barely been tapped.

Rusty drops me off at Burung (Bird) Island, where a picnicking family waves to me through a cloud of lemongrass smoke before I hit the beach. On all sides of the island boulders lie like giant marbles cast by the handful. They tumble down from among the palms and create private patches of sand along the shore. I briefly lament that there’s no surf to break over their haphazard arrangements. But, in a region revered for surfing, this stretch of beautiful, calm water is obviously overlooked by the masses – and that’s no bad thing.

Visitor statistics show that 91 per cent of Australians who visit Indonesia go direct to Bali, and few venture much further. Yet locals proudly inform me there are 17,507 other islands begging to be explored in what is a vast and diverse archipelago stretching across three time zones. It strikes me that if I were to spend a day on each island I’d be in Indonesia until 2060. I could think of worse ways to notch up my seventy-fifth birthday.

The blue streaks that have so far stuck to the horizon suddenly engulf the island in a torrent of well-fed raindrops, which send us packing for Rusty’s boat. After a turtle sighting and a few Bintangs that are even more refreshing than the downpour, we arrive at Tanjung Tinggi, the principal beach featured in Laskar Pelangi and the spot where the mild bulk of domestic tourism lands. A charming strip of low-key restaurant-shacks sits back from the beach under deep, broad-leafed shade; a newly erected plaque proudly proclaims this to be “the film site of Indonesia’s most popular movie”. Teenagers scramble among even more elaborately laid boulders, while young men on esky-saddled mopeds casually hawk es krim (ice cream).

Our van gets bogged in the sandy beach track and somehow I become famous among a group of families visiting from Jakarta. They’ve got the idea I’m a celebrity contestant from the Australian MasterChef series (Indonesia’s highest rating TV show) and are queuing up with their camera phones. I suspect Julietta, a mischievous young lady also on Rusty’s tour, has deliberately spread this playful rumour.

Leaving Tanjung Tinggi, we cruise past many kilometres of undeveloped beachfront before arriving at the only resort on the coast. Despite its comfortable villas, the resort somehow manages to pull off both unfinished and rundown at the same time. One of the island’s innumerable boulders has been concreted into a seemingly abandoned water feature that adorns the entrance. I can’t help thinking it looks unflatteringly like a giant gonad. With a touch more poetry, Julietta suggests that it’s more of a Buddha in waiting, a masterpiece yet to be carved. It’s a fitting metaphor for tourism on Belitung.

An hour’s ride away I discover the world’s most delicious chilli crab at Mutiara, a low-key wooden slat restaurant in Tanjung Pandan, Belitung’s capital. For dessert I return to the resort for Indonesian chocolate, banana and cheese fritters. The illogical mix somehow works for me, but I’m pretty sure it’s the Bintang talking. I manage to haul my bursting stomach into bed as the sound of a distant call to prayer mingles with a gentle shore break from the beach. A gurgling moped passes by with a young girl singing on the back and I’m lulled to sleep.

In the morning I breakfast on rice pudding, chilli sambal and peanuts, before my driver takes a shortcut to the airport through an immense palm oil plantation.

Staring down the flickering rows of converging monoculture, it’s clear that tourism is far from the mainstay of the local economy. My plane dodges a pack of dogs on the tarmac before taking off to reveal the unmistakable effect that tin mining (Belitung’s former primary industry) has also had on the island. Pools of deep emerald and turquoise choke a number of waterways amid eroded tailings, thick carpet mosaics of palm plantations and remnant rainforest.

When I arrive on neighbouring Bangka Island it’s clear that this place is in the midst of a mining boom of its own. Santana electrifies the stereo as we weave through traffic and my guide, Toto, explains: “We have no beggars on Bangka, not even street musicians; you can earn four to seven times as much in mining.”

But Toto doesn’t see a long-term future in it for Bangka and is worried about the effect illegal mining has had on parts of the island’s natural environment and fisheries. He is hoping that tourism can provide a more sustainable future for his home and has given up lucrative opportunities in mining to promote Bangka as a destination.

Our van pulls up beside an improvised sign proclaiming “hati hati” (be careful), before easing past a team of road workers near a mine site. Leaving this eyesore behind, we roll on to a market garden run by some of the island’s Chinese minority and lunching on baba guling (suckling pig) at Toto’s 84-year-old grandmother-in-law’s house.

It emerges that Toto’s marriage was both mixed faith (Islamic and Christian) and interracial (Chinese and Malay), and that he later decided to convert from Islam to Christianity, although not to the same church as his wife. His story is extraordinary, but somehow seems to sum up both Indonesia’s diversity and its religious tolerance. Later, I visit the local mosque, before the heat and hours of driving lure me back to the beach.

After exploring a selection of palm fringes and white sand that almost rival Belitung for their beauty, I check myself in for a Javanese massage. I meet Maya, a smiling 24-year-old masseuse from Jakarta with braces, yellow eye contacts and a frame somehow skinny and curvy at the same time. She teaches me how to say aku cinta kamu (I love you) in Bahasa Indonesian and leaves me with 
a bruise in my calf. Hati hati.

In Sungailiat, Bangka’s second-largest city, I visit a school and an impressive food market before checking out the appropriately titled Eat and Eat evening street food court. An incomprehensible talent show is televised on a giant projector screen while dangdut (the Indonesian take on booty-shaking Indian bhangra music) blasts from the bustling food stands with similar force to the smoke and steam.

Toto recommends the beef rib, and it’s on par with the chilli crab in Belitung – world class. I’m less enamoured with the “genuine bird’s nest–flavoured drink”. Toto explains that it’s made from the nests that swallows build with their own dried saliva. I’m drinking saliva. Luckily, a broad selection of fresh fruit juices and traditional chocolate and cheese martabaks (Indonesian pancakes) quickly come to the rescue of my palate. The Bintang is definitely still talking.

On my last night, Toto explains before departing that there is only one nightclub on Bangka. Unfortunately it’s on the other side of the island, so instead I find my way to Parai Tenggiri Resort’s open-air karaoke bar. Two Javanese cowgirls on the microphone are violating Consuelo Velázquez’s ‘Bésame Mucho’, while a keyboard player flinches along admirably with his synth mode set to Spanish guitar. I offer my finest attempt at ‘Yesterday’ by the Beatles, before requesting salsa and coaxing the cowgirls away from the microphone to teach them some Cuban steps. It earns me an invitation to the table of a Chinese family who ply me with wine and encourage me to salsa with their daughter. I’m rewarded for acquiescing with an armful of fresh dragon fruit from the family farm.

Before going to bed, I catch the silhouette of a 30-metre sculpted eagle with a salmon in one claw. It stares down at a giant toad that will double as a fountain, one day spewing water from its mouth into a swimming pool, which is, as yet, just a pit of excavated earth. They’re without doubt the gaudiest and most bizarre constructions I’ve ever seen (think Disneyland meets a ‘big’ attraction from the side of a lonely Australian highway), and they’re the ornamental centrepiece of Bangka Island’s newest resort. I wonder for a moment what was so wrong with the view of the resort’s beach cove that warranted obstructing it with this un-attraction. Then I cast my mind back to the kilometres of undeveloped beachfront on Belitung. What will be their fate? Will an army of giant technicoloured animals migrate across the seafloor like Indonesian Godzillas? It sinks in how lucky I was to experience the Buddha uncarved. In many ways it’s already a masterpiece. I hope they’re subtle with the chisels, or whatever they fashion on top.

Beyond the Backwaters of Kerala, India

To a crescendo of cymbals and beating drums, the demon’s facial muscles quiver. He brandishes a sword, his face is painted bright green, and long silver fingernails protrude from his free hand. As far as classic Indian dance drama goes, it doesn’t get any brighter than kathakali, which sees actors splash on multicoloured make-up and dress in elaborate costumes: long, flowing dresses that push out like lampshades, and rainbow-coloured hats shaped like saucers.

I’ve come to Kerala to experience traditions that are hundreds of years old – and in some cases, thousands. I’m keen to see how they fit into contemporary Kerala culture. Kathakali originated here in the 17th century and its popularity seems undiminished today. There are a host of venues in the coastal town of Kochi, Kerala’s commercial hub, and I’ve managed to score a front-row seat for this evening’s performance. The stage is small, just big enough for a drummer, a cymbal player and the two dancers who play the roles of a demon and a princess. The princess is trying to lure the demon into a trap by seducing him. It seems to be working.

Suddenly the lights go out. This isn’t part of the performance. There’s been a power cut and for a moment there’s confusion on stage. The drummer – a boy no older than 10 – stops beating. The cymbal player clangs and sings louder, a signal for the drummer to keep going. The dancers continue telling the story even though the audience can barely see them.

Kathakali stories are often about love and are conveyed using a series of facial expressions and hand movements (or mudras), of which there are 24. The demon slowly curls and rotates his hands while intermittently raising and lowering certain fingers. This communication is understood by the princess who responds by moving her eyes from side to side and waggling her cheekbones. The actors remain mute throughout. Modern performances take about an hour, but they were originally written to last the entire evening.

The lights are back on and the drums and cymbals crash as the demon sees through the princess’s fake advances and chops off her breasts. I need to get out of here – it’s getting too violent and I came searching for serenity.

There are flying tits galore in Kerala’s lush forests, but thankfully it’s down to the birdlife and not as a result of any mammary massacres. Sixty-five kilometres southeast of Kochi is India’s second-largest district, Idukki, nearly all of which is covered in rugged mountains and forests. My plan is to spend some time in an isolated farm-stay, an escape from the 1000-plus houseboats cruising up and down the backwaters.

Keralites have a strong affinity with their natural surroundings; the soil is rich and many families have several acres where they grow organic fruit and vegetables. Some families are turning this cultural tradition into a business by opening homestays, which serve the organic food they grow on site to guests.

Jose and Sinta Dewalokam are one such family. Their 10-acre farm, Dewalokam, has been in Jose’s family for three generations. Half of it used to be a rubber plantation, but Jose has spent the last 10 years single-handedly transforming it into a gigantic veggie patch and orchard. I have dreams of creating my own mini-farm one day, and I hope to get a few pointers.

Jose and Sinta greet me with big smiles and a jasmine garland. Sinta then takes me on a tour of the farm. There are mangoes, coconuts, peppercorns, beans, custard apples, papayas and mulberries – and we’ve only covered a section of ground no larger than a tennis court. Picking ginger and turmeric from the ground as we go, she tells me that 10 varieties of banana grow here. Lemongrass grows like a weed, as does ‘ghost killer’ – an Ayurvedic plant that apparently helps treat schizophrenia.

Sinta is keen to show me her bees. Numerous hives line the edge of the property, which slopes away into a calm river, on the other side of which is a nature reserve. Without any protective clothing, one of the workers pulls out a section of hive and hands me a piece of honeycomb. It tastes divine.

One of the reasons I chose to come to this farm is because guests with green fingers can help in the garden. And, if shovelling cow dung is your thing, then you’ll be inadvertently helping kitchen staff cook your dinner. Cow dung is mixed with water and then placed in an underground tank to ferment. Eventually it omits methane which is channelled into the kitchen’s gas stoves. Nothing is wasted around here. It’s inspiring.

Everything about this place is natural. Jose doesn’t rely on noxious chemicals to keep his garden pest-free. He combines tobacco, cow urine and fermented dahl to create a pesticide. Coconut shell husks break down for mulch. Goat, cow and buffalo dung from the farm animals is spread on the garden to enrich the soil with nutrients. With all of this dung around, you may expect the air to smell foul, but instead it has the sweet scent of ylang-ylang, which grows seemingly everywhere.

After spending a couple of hours seeing all of the food in its natural environment, I’m keen to taste it. Jose leads me into a palatial, light-filled dining room. Waitstaff lay huge banana leaves in front of us and proceed to dish out 10 little vegetarian dishes all bursting with the life and flavour of Jose’s garden.

Health is a big deal in Kerala and it extends beyond a nutrient-rich diet. Ayurveda, literally meaning ‘the science of life’, is one of the world’s oldest medicinal systems and originated in Kerala more than 4,000 years ago. Heading further away from the backwaters, towards the border of Tamil Nadu, I venture to the Ayurvedic village of Kairali to embark on a six-day detox beneath a mango and coconut tree canopy. It’s the only Ayurvedic place in India that makes all of its own massage oils, body scrubs and herbal decoctions.

As soon as I arrive, I’m whisked away for a consultation with the on-site medic, Dr Rajeev. He weighs me, takes my blood pressure and asks questions about my daily routine before determining the most efficacious treatment program for me. Then it’s straight onto the treatment table where I’m lathered in a litre of massage oil and lulled into relaxation by the mesmerising rotations of two masseurs’ fingers. I slip away into a dreamlike realm, only coming back into the room as oil shoots up my nose.

One of my masseurs, an Indian doppelganger of Freddie Mercury, helps me off the massage table. I sit up and the herbal decoction I’ve just snorted dribbles down my throat. With all the massage oil, my Tarzan-like loincloth has slipped out of place. Freddie readjusts my cloth, skilfully avoiding my crown jewels. He leads me to a wooden cabinet, which resembles a medieval torture device, and gestures for me to sit inside. My head pokes out of the top. Steam pours in and perspiration droplets rise on my skin. I can feel the toxins dribbling out.

Some people stay at Kairali for three weeks, following intensive programs that combat stress, diabetes, arthritis and many other maladies. The principle of Ayurvedic medicine is that humans are composed of fire, air and water. Whenever we’re ill, it’s a sign these elements are unbalanced. My oil-up-nostril treatment, or nasyam, is working on stabilising my water (kapha) element – in particular on unblocking my sinuses.

There are more than 100 medicinal and herbal plants growing in the village. These treat a range of ailments, from swellings and skin diseases to respiratory disorders and worm infestations. There are some plants that improve voice and memory. More than 36 herbs are combined to create the massage oil.

Among the treatments there’s elakizhi, where you’re pounded (not too forcefully) with poultices filled with leaves and powder. Sirodhara is perhaps the world’s most relaxing massage: a steady stream of oil drips onto your forehead from an 
urn suspended above the treatment table. My crown jewels managed to stay tucked away during that one, and I fell asleep. I’ve always enjoyed a good licking, and for that reason I fell in love with navarakizhi, which involves being rubbed with small rice-filled linen bags cooked in cow’s milk. The bags are continually heated in milk for the duration of the treatment and the sweeping strokes of the massage felt like I was being slurped by heavenly tongues.

There are 27 villas onsite – all named after Indian zodiac signs – as well as two regal maharaja suites. Before a brick was laid, a vastu (Indian feng shui) practitioner read the land and divided it into anatomical parts to determine where each building should be erected; the kitchen was built on the land’s stomach.

Vastu also determined the dimensions of each building. Any trees in the way were incorporated into the structures. Clockwise-flowing waterways run past each building, trickling to calm guests’ minds. The result of such meticulous planning is a village with potent and palpable healing energy, a place far beyond the reach of swiping swords and tongue-poking demons, and a far cry from the chugging of houseboats on bustling backwaters. They may have a combined age of over 5000 years, but the strands of this state’s cultural DNA continue to add colour, flavour and vitality to contemporary Kerala.

Surf Little Andaman Island

As a motley crew of farm animals sprinted past Natarajan’s humble dwelling on the shores of the usually sleepy Hut Bay, he sensed something was seriously amiss. The ground had shaken more violently than at any time in his 87 years here. It was time to go.

Grabbing his cane, Natarajan joined the frantic procession and headed as fast as his ageing legs would carry him to a nearby hill, with just seconds to spare. Turning his gaze back to the sea, he watched as the Boxing Day Tsunami, higher than the tallest coconut palms, swept away his home and the entire town beneath him, washing back and forth until there was virtually nothing left.

Before Boxing Day 2004 this man, now 95 and still in possession of a razor-sharp wit and a set of piercing brown eyes, was one of the oldest of his generation on this forgotten speck of land called Little Andaman island. It’s a little known Indian territory, and about as far removed from the modern world as you could imagine.

Sitting perilously close to the epicentre of the infamous earthquake, yet perhaps furthest from the world’s consciousness in the wake of the disaster, Little Andaman is geographically closer to Thailand than India. It’s the largest in the Andaman and Nicobar chain – a string of lush tropical islands in the Bay of Bengal that is home to some of the more fascinating tribes left on the planet, along with an ever-increasing number of Indian settlers and tourists.

By nightfall on Boxing Day 2004, Natarajan would be the single oldest survivor by many years on an island then home to about 8000 Indian settlers, a scattering of Nicobarese Islanders from the south and the native Onge tribe, a mysterious group who have inhabited this place for more than 40,000 years.

Vying with Australian indigenous people for the title of the oldest living culture on earth, the Onge, and their method and exact timing of arrival here, are still a mystery to anthropologists. DNA matches suggest the Onge originated in East Africa, with evidence indicating they are the purest Negroid people in the world today. Only 80 or so of the Onge remain, with their prospects for long-term survival looking bleak.

According to the locals and another traveller I meet, who was a regular visitor before the tsunami, some senior Onge used to roam into the main town around Hut Bay for supplies. But they haven’t been seen for years, except by a very select few medical workers granted access to Dugong Creek, an Onge reserve in the far north of the island strictly off-limits to outsiders.

When the big wave hit, the Onge, along with Natarajan and the island’s animals, had the intuition to head for the hills, as if driven by a sixth sense. Not a single person from the tribe was reported killed while the death toll among the Indian population was catastrophic, as was the damage to the island’s infrastructure, which is only now starting to recover enough to cater for new settlers and visitors.

Little Andaman had been on my wish list for a long time. A surf movie I watched as a teen, featuring the first instalment of music from the now ubiquitous Jack Johnson, showed perfect waves and glimpses of the Onge. The island, people and waves became firmly lodged in my imagination. More than a decade later, circumstances conspired favourably and I was on my way.

After a day spent daydreaming over the rusty rails of a ferry from the Andaman capital, Port Blair, and formalities in Kwate-tu-Kwage on Little Andaman’s Hut Bay, I arrived via rickshaw in a small village at Km 16. Towns and villages on Little Andaman are simply named by their respective distance along a straight road spanning the eastern side of the Island.

There is a handful of backpacker-style accommodation in the area but everywhere is full. So it is that I find a concrete cell to call home near to a beach I knew had surf, with just myself and a local man next door. I’ll come to know this man as the bearer of an unfortunate pre-breakfast drinking habit, which ends most afternoons in drunken rants to whoever would listen, repeated requests for money and one, ultimately humorous, attempted dash to nowhere with my camera gear.

Heading straight for the beach on foot, I find the swell I’d come for. At first the waves hitting the point look all but flat, yet the great distance they travel to arrive on Little Andaman means patience is key here, with long waits between dismal ripples and Indonesian-style perfect waves when they finally roll across the reefs. Their crack and fizz is heard by a few fisherman and even fewer surfers.

 

Arriving to perfect empty waves like this is rare, and I duly spend the afternoon yelling at the top of my lungs like a madman with nobody around to witness my joy in finally arriving in this sublime place I’d dreamed of for a very long time. It’s a moment that will always stay with me; pure freedom and release through that increasingly rare combination of solitude and disconnection that’s the elixir of travel.

Heading back along the beach in the dark, I remember the island has a reputation for crocodiles, the uncompromising saltwater type. Later I’ll learn that a 14-year-old girl had been killed weeks earlier in a nearby attack, yet, for that moment, I forget about the risk as a blood-red full moon rises and swarms of fireflies light a path through misty forest back to the main road.

Over the next month, with a spluttering 1970s Yamaha motorbike for transport and some great company from the only other surfer on the island, I find myself occupying my time exploring the few pockets of Little Andaman not off-limits to tourists and hanging out with the amazingly open and friendly Nicobarese Islanders.

The Nicobarese were relocated here in large numbers after their homes on the islands further south were destroyed, their slice of paradise sitting virtually next to the epicentre of the 2004 quake. Living a simple life working in the palm plantations, fishing and playing daily on the postcard beaches, they are seemingly some of the happiest people I’ve been lucky enough to meet.

Apart from the surf there is plenty to see and do here, although undoubtedly the main attraction for the travellers I meet is the sheer isolation and sense of adventure. There are many worthy waterfalls and beaches to visit, although directions are tough and guides are often busy or fishing. At the time of my visit it seems the local authorities are unprepared for the increasing numbers of visitors, with rules on where we could and couldn’t visit seemingly changing by the day.

During a flat spell of surf a call is made for a few drinks at the only watering hole on the island, a seedy dark hole of a place that attracts some truly unhinged individuals. It is down the road from this little pub late one afternoon where I spot the unstoppable Natarajan, his slim frame silhouetted by a kerosene lamp as he chuckles to himself on the balcony 
of his tiny government-built shack.

With some help interpreting his Hindi, we come to learn something of his life and remarkable tsunami escape. Apart from a few years spent on the mainland while serving in the army, Natarajan had spent his entire life on the island. Before the roads went in, his existence had been limited to just the few blocks around the old town. His life was happily lived in this 20 kilometres square radius, then as now, in an almost totally forgotten part of the world.

Eventually (after a very clichéd tumble over the handlebars of my motorbike) it is time to leave. It has been just on a month and my permit for the islands is running out, the surf is flat and my drunken neighbour’s antics are getting increasingly hard to ignore.

The Onge reservation of Dugong Creek is apparently the most special part of what is already a postcard of a place. From all reports, it’s a large bay filled with small islands, dugong and fish in plentiful enough numbers to sustain the remaining population.

As much as I’d have loved to have met them, the thought of the remaining tribe living out their days in that paradise is enough. I’m sure there must be surf there, the morning sun glinting off waves breaking with no fear of intrusion by privileged outsiders.

At the other end of the island sits Natarajan, laughing with passersby while perched on the balcony of his little shack; sometimes chatting to himself, mostly sleeping. I can only smile imagining the stories he must be recalling, especially the one where he outran waves bigger than the trees in his front yard, following farm animals and his intuition to safety.

Of Ice and Men

Residents of Kangerlussuaq, Greenland, are very proud of their tree. “See that tree? That’s the tallest tree. In all of Greenland,” one tells me. It is about 150 centimetres tall.

Viking Erik the Red named this tundra Greenland when he discovered it in 982. Evidently he thought it would entice people to move here from Iceland, making it quite possibly the ballsiest marketing move in history.

Kangerlussuaq is located at the head of one of the longest fjords on the planet and a bumpy bus ride parallel to it eventually leads to the sea, and my home for the next two weeks, the Akademik Ioffe.

From here we are taking the journey of a lifetime: a 12-day adventure with One Ocean Expeditions travelling westwards through the treacherous Northwest Passage that connects the Atlantic and Pacific Oceans along the north coast of North America. It’s a journey few ships are able to undertake, but the Ioffe is a scientific research vessel built specially to handle the harshest conditions on earth.

Overnight sailing takes us to Jakobshavn Glacier, one of the largest in the world and thought to have birthed the iceberg that sunk the Titanic.

At 120 metres long, the ship is remarkable and packed with incredibly sophisticated engineering. Its two diesel engines crank at a massive 3500 horsepower and have the ability to thrust 360 degrees as they run almost silently. Gigantic sub-marine, high frequency antennas map every crevasse on the seabed up to 3000 metres away. This, along with the fact that it was launched at the height of the Cold War and operated by a fully Russian crew, has made it a notorious spy ship. As a result, it’s never been allowed to sail in US waters.

Even though it’s a working vessel, Akademik Ioffe is remarkably liveable. The berths, while small, are still larger than a NYC dorm room, and have comfortable bunk beds along with small sinks, desk areas and even a little couch. Outside the rooms there is a large dining hall, library, sauna and even a lounge with a well-stocked bar. On the top deck an outdoor hot tub offers the opportunity, if you’re lucky, to sip a cold beer and watch polar bears at the same time. Could you ask for a better setting for an adventure story?

The ship, however, is just a vessel for the experience, which is expertly crafted by the impressive One Ocean staff. Each has specialised skills that, when combined, create the perfect storm for their onboard companions. The set-up is similar to that of a video game, but instead of having a demolition expert, a sniper, a medic and a marine on your team, you have a glaciologist, a naturalist, a historian and a masseuse. Each and every person here is dedicated to this expedition and an authority on some aspect of the Arctic. They not only bring the history of the Arctic within reach, but they bring it very much to life.

Safely on board, we’re ready to face the unknown, and head north up the coast to the ridiculously picturesque town of Sisimiut. Houses are strung along the rugged cove like Christmas lights, each one painted a solid primary colour as if the local hardware store had a sale on the brightest of hues. In the centre of town, below Greenland’s oldest church, Bethel-kirken, is an outdoor museum with a handful of houses from different epochs. The interior of the oldest, a basic peat house, is breathtaking – clean simple lines, large living spaces, oil lamps and simple decor. You can almost see where IKEA gets its inspiration.

Overnight sailing takes us to Disko Bay and the Jakobshavn Glacier, one of the largest in the world and thought to have birthed the iceberg that sunk the Titanic. Walls of ice, 150 metres long, are calved in our wake as we explore in Zodiacs. We skim over frozen chunks of white, through blue-green canyons and over inky water, as glaciologist Jimmy McDonald waxes poetic about the different types of ice – candle ice, grease ice, pancake, white, black, brash, what is healthy ice and what isn’t. Seems it isn’t just a key ingredient in my frozen margarita, but also another life form on this planet – and one that is responsible for all the other life forms on the planet. “The ice is what controls global warming, not the other way around,” Jimmy explains. It soon becomes evident that if global warming didn’t exist we wouldn’t even be able to take this trip.

Crossing Baffin Bay we stop in Canada at Devon Island to go hiking. Chalk-white bones of fallen animals lie in our path as we cross gentle summits. Walking the shore of Lancaster Sound, we wend through large warped ice chunks that give the pebbled beach the appearance of a sculpture garden. Finally we reach the sweeping bay of Dundas Harbour, where two battered and abandoned houses sit trapped in time. These are the last remnants of a doomed Royal Canadian Mounted Police post that lasted a mere nine years, from 1924 to 1933.

On an embankment there’s a small cemetery where three bodies are interred – one is an Inuit girl who died of unknown causes, another belongs to an RCMP officer who was killed in a walrus hunting accident, and the final one is a Mountie who took his own life. In the ghost town below, you can peer into the buildings to see old cans, empty whisky bottles, and magazines and books left as they were when the inhabitants abandoned the settlement more than 80 years ago. It becomes apparent the cold here preserves everything, including the Arctic’s dark history.

On the southern side of Baffin Bay we reach Beechey Island, where a thick fog has settled in and visibility is about five metres. “It’s always like this,” says Ian, one of the expedition leaders. He is a big Nova Scotian who always looks as if he’s about to wrestle some wild animal. “Doesn’t matter if it’s sunny and warm on the water – as soon as you land, fog. Everywhere. All the time.” Traversing the island is like walking through an Ingmar Bergman film – a rocky beach stretches for miles, the horizon blending perfectly with the fog so that infinity surrounds you. Then, maybe a hundred paces from us, we find four small wooden gravestones. This is the last sign of the great Franklin expedition.

Sir John Franklin is to the Northwest Passage what Madame Curie is to x-rays: a tragic figure whose death only brought on more discovery. You cannot travel to this part of the world and not speak of Franklin. He was the glorious son of the British Empire, and the favourite to finally find a true passage from Greenland to the Canadian mainland. Outfitted with two immense ships, the HMS Erebus and HMS Terror, Franklin had a massive advantage over previous expeditions. Besides being well funded and loaded with the most advanced equipment, he had a tremendous amount of experience, having already made three successful trips to the Arctic Circle. Unfortunately, things turned out differently on his fourth. In 1845 he left England with 129 fit crew. In 1846 he wintered on Beechey Island, and buried three of the men at the gravesite we’re at today. A note was left with them saying things were going swimmingly, morale was high, and Franklin expected great results as the coming of spring would free his ships to travel further west.

That was the last anyone ever heard from him.

Franklin’s wife Jane wouldn’t believe her husband had perished and, in the decades that followed his disappearance, championed to send dozens of rescue missions to bring him home. Ironically, it was those searching for the sailor and his men who filled in the blanks on the Arctic map, and gave rise to the ultimate crossing of the Northwest Passage by Sir Robert McClure and the crew of the HMS Investigator, by ship and sledge, in 1854. Franklin has since been heralded a hero despite his expedition being a failure and the discovery of evidence suggesting he and his men resorted to cannibalism in an attempt to survive.

What is truly outstanding is that for the following 150 years people searched for Franklin’s two huge ships with little success. It wasn’t until September 2014 that a Canadian expedition, using sonar, stumbled upon the wreckage of the Erebus in Queen Maud Gulf some 800 kilometres from Beechey Island. Unfortunately any sign of Franklin’s grave or those of most of his men are non-existent. Many are thought to have perished trying to walk to the mainland. How do I know all this? Each night, Arctic historian Katie Murray, in her Scottish brogue, recounts the tales of lives risked and lost to discover the Northwest Passage.

Sailing away, we begin heading into the thick of the Canadian archipelago that makes up the Nunavut territory. Every day the crew checks charts and remaps the route to ensure safe passage through the ice-choked channels. The ice here dictates your path and plans for the day, and making it to the final port at Cambridge Bay sometimes seems like an impossible feat. It is possible to get trapped in an inlet or blocked from proceeding by changing ice floes, giving you a real-time sense of how treacherous this crossing can be.

On the morning of the tenth day we pile into the Zodiacs to tour the massive cliffs of Prince Leopold Island, one of the largest bird nesting sites in the world. At first I’m taken aback by the sheer size of the granite wall in front of me, then I realise it is covered in thousands of birds. They come here to lay their eggs, which are an exaggerated conical shape. It’s nature’s way of ensuring that if the eggs roll they spin in a tight circle rather than off the edge of a 400-metre cliff. As we cruise past the clamouring, avian-infested precipice, we are greeted by another fantastic surprise – a large male polar bear.

Polar bears are unique creatures. Most people never encounter them, but we all have an idea of what they look like. Let me tell you, you’re wrong. They are massive. Half-a-tonne massive, and pure white with large paws that give them the appearance of a huge puppy. Their obsidian eyes peer out over the surface of the water, as their mouths, overloaded with jagged teeth, curl in the manner of a smile. They are captivating, and it’s a rare treat to see one in the wild.

Which is why over the next two days, when we spy another 14 of them, our minds are blown. “They must have known you were coming to write an article,” jokes expedition leader Boris Wise. Even he admits seeing this many bears is rare. We see them feeding on land, hanging out on icebergs, taking a dip and protecting their young from larger males. There are so many, in fact, that when I’m in the hot tub and the call comes over the ship’s PA that another bear has been spotted off the port side, I simply crane my neck to watch it enjoy its fresh meal. It doesn’t get much better than that.

 

 

With our expectations surpassed, we cruise silently into Cambridge Bay. On the final night the chef prepares a birthday cake for two passengers on board, and bartender Vanessa invents a drink special called Arctic Ice, a concoction that makes saying goodbye to new friends a little easier. We trade pictures, stories and contact information, then return to our cabins to pack.

At the airport we cross paths with the next group who is taking the ship back to Greenland. We smile at them, half envious that they’re about to witness something that will possibly change them forever, and half proud because we’ve completed a journey that has challenged so many before us. As we board the charter flight back to civilisation I am reminded by Katie, our historian, that Queen Victoria called the Arctic Meta Incognita, which is Latin for ‘the unknown limits’. That is exactly how completing this journey has made me feel – like there would never be any limit to my fondness for this experience.

Aegean Indulgence

The setting couldn’t be more captivating: the dining room faces a deep pelagic blue that fades to turquoise streaked with yellow as it approaches the shallows of the long, sandy crescent of Aegialis Beach. It is early June on the island of Amorgos, the southernmost point of the Cyclades, and high season hasn’t yet kicked in. There are few sun-worshippers and even fewer swimmers, but the stunning location of Hotel Aegialis, perched spectacularly over the eponymous village, ensures that it’s full.

Despite the usual international breakfast spread, it is the local fare everyone goes for here: the yoghurt and honey, the Amorgos nut-and-raisin muesli and those honey-smothered sweets for which Greece is so famous. The variety of baked products is startling. From wafer-thin filo delicacies to sesame-sprinkled loaves of bread, the resourceful islanders can produce a lot based on flour and water. Add some oil and the resulting xerotigana (dough sticks) are fried, dipped in honey and sprinkled with cinnamon and sesame seeds. Cracking under my teeth, they fill my mouth with an aromatic mixture of oil and honey. Add yeast and the resulting dough produces loukoumades (Greek donuts). These fried dumplings get the same honey-and-cinnamon treatment but, with their chewy soft centre, taste very different and gradually release the sticky, sweet syrup they’ve absorbed.

Next to the loukoumades is a Cycladian staple. Amorgian pasteli consists mainly of honey, sesame seeds and herbs, boiled together and set over lemon leaves for flavour. Its high calorific value makes it the old-school equivalent of an energy bar. Homer mentions it in the Iliad, where it is consumed by Greek soldiers during the siege of Troy. Herodotus describes it, too, as does Aristophanes. I have a bite and my teeth stick in solidified goo. This must be the only confection where you can taste every individual kilojoule. I think of my waist to be unveiled later on the beach in all its dubious glory and set the rest aside.


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Sweets are not part of a regular meal on Amorgos, but are instead usually reserved for special occasions. Pasteli and xerotigana feature heavily in village fetes and saints’ feasts, in family baptisms and marriages. Loukoumades are traditionally eaten on New Year’s Eve and every time there is ‘new oil’ from the olive press. This traditionally happens in late November and coincides with the feast of the Presentation of the Virgin, the biggest local festival. Spending the fresh November oil on loukoumades is an act of luxury, a gesture of defiant waste of the precious new harvest and a hopeful celebration of a year of plenty.

The only thing I would never expect to be added to dough is wine. But then I ask what the savoury turnovers I am stuffing myself with are called. “Drunk Amorgians” is the reply. Because, yes, wine is used in their preparation. Their light, crumbly pastry fuses with the tangy cheese-and-egg filling and the discreet scent of mountain herbs to produce a subtle contrast of flavours, the attribute of a unique dish.

Later Irene Yannakopoulos, the owner, manager and chef at Hotel Aegialis, demonstrates to me how she cooks these traditional sweets and pies. She’s wearing kitchen gloves and standing behind shining stainless-steel bowls, presiding over tablecloths as white as the island’s lime-washed houses. She does this each Sunday and Wednesday, teaching visitors to the island how to make some of the simple baked goods that make a visit to this part of the world so memorable.

This must be the only confection where you can taste every individual kilojoule.

“The cuisine of Amorgos,” Irene says, “like that of every other Cycladic island, depends on its own produce. In the closed, subsistence society of old, you lived from your farm’s own yield.”

She points at the breakfast spread and explains the ingredients her home island produces: “Olive oil, wine and wheat to make flour; fruit, mostly pears, raisins and figs, which we air-dry to preserve. Then there are nuts, pulses and a range of garden vegetables and herbs, like thyme and mint, both of which grow wild. Everything you see there has been grown on Amorgos since time immemorial.

“In my youth, everyone had their own goats and sheep for milk, cheese or yoghurt and chickens for eggs. We ate much less meat than we do today.” On the dry, sun-baked Greek islands the boundless Aegean ensured that seafood was always available, so farm animals were more valuable for what they supplied than for their meat.

“And as sugar came later, we used honey from beehives – and still do in our traditional sweets.”

Born and bred on Aegialis, Irene left as a teenager, not by choice but by necessity. “Forty years ago, the only high school on the island was in Chora, the capital, two hours away on foot from home,” she says.

I try to imagine her walking to school, chewing on a pasteli bar for endurance. I look at the winding coastal highway that snakes out of the village below. Aegialis was only connected by road with the capital Chora, 18 kilometres away, in 1989. It was then that electricity also arrived, too late to change the eating habits of the locals. For what Irene has accidentally just given me was a short, concise summary of that famous Mediterranean diet.

Methisena Amorgiana (Drunk Amorgians)

Makes 25

INGREDIENTS
Dough
1 cup olive oil
1 cup dry white wine
3 cups self-raising flour
1 tsp salt

Filling
2 eggs
3 heaped tbsp chopped mint leaves
3 heaped tbsp chopped anise (fennel fronds)
1 onion, finely chopped
¾ cup crumbled feta

METHOD
Preheat the oven to 165ºC. Oil and lightly dust two trays.

To make the dough, combine the oil and wine in a bowl, and fold in the flour and salt. Turn the dough out on to a floured board and knead until it is firm.

For the filling, break the eggs into a bowl and add the mint, anise, onion and feta and combine. You want the filling to be quite solid, so add a little bit more feta if it’s too loose. Season the mixture with salt and pepper.

Using a spoon, cut the dough into small balls then press them on the kitchen counter to make disks about 10 centimetres in diameter. Put a spoonful of filling on the centre of each one and fold it in half. Use the tines of a fork to seal each parcel.

Place the turnovers on the prepared trays and bake in the oven for 25 minutes or until golden. Serve with a classic Greek salad.

You can also use this dough to make sweet amorgianas. For the filling, use a good dollop of your favourite marmalade or jam. Once they’re baked, dust with icing sugar to serve.

Katherine Calling

A vast wetland expands before me, its waters capturing the azure reflection of a sky that seems bluer than any sky I’ve ever seen before. Wild pigs rummage in the mud. Four dead trees jut out of the water immediately before me. Their silvery branches poke toward the sky as if they’re striking a pose from Saturday Night Fever.

Staying alive is tough out here, but luckily my guide Matt knows a few tricks. He’s been camping with Indigenous people many times and has learnt numerous survival tips. He tells me that during the wet season Aboriginal women come foraging for turtles that have burrowed into the mud beneath our feet. The turtles are easy to spot because of the digging marks they leave behind. Getting them out requires a little excavation and then a swift blow with a spear.

I’ve left my spear at home because, over the next week, Matt and the guys at Gecko Canoeing and Trekking have got me covered. Our journey begins in Nitmiluk National Park in the north-east of the Northern Territory, where we’ll hike for four days along the Dreaming Place Trail: the lesser-known sister of the popular Jatbula trail. To get here we’ve driven 70 kilometres from the town of Katherine along two major highways, and 20 kilometres down a dirt road before bumping and scraping past trees for 16 kilometres down a 4WD track.

“Jatbula is a destination walk,” says Matt. “The Dreaming Place Trail is all about the journey.”

Over the past two years, Matt has guided fewer than 40 people along this trail. Hiking along such a non-frequented and isolated track makes the journey more personal. We’re swallowed in expansive scenery and I’m in awe of the majesty of the twisting gorges. We walk along the banks of the Katherine River, on top of escarpments that overlook the gorges, and across vast plateaus filled with swaying spear grass.

Caves adorned with Aboriginal rock paintings offer artistic punctuations to our hike. There are pictures of long-necked turtles, crocodiles, kangaroos, fish and a menagerie of other animals. Some paintings depict hunters and spirits. One of the most striking images is of a white spirit with an elongated body drawn on a charcoaled background. She has long fingers and huge breasts and looks like a being from another dimension. Some paintings hint at what the site was used for. Matt points out a frill-necked lizard in one cave, a symbol associated with male initiation ceremonies.

The quietude along the Dreaming Place Trail allows ample opportunities to spot wildlife. Chestnut-quilled rock pigeons – rare birds endemic to Kakadu and Nitmiluk national parks – resemble punks with their mohawks. I nearly step on a spinifex dragon (a small lizard) sunbaking on a rock. Hooded parrots, common within 100 kilometres of Katherine, dart between trees like blue arrows. I watch one as it swoops in front of me and flies inside a two-metre-high termite mound, where it has bored out a nest. The termites don’t mind having tenants and seal off the hole made by the parrots.

We camp beside waterholes and on sandy beaches. The nights make way for storytelling under the moonlight. Our walk ends with a steep descent to Lily Pond Falls. Matt tells me this is a sacred women’s place, where Indigenous women may have come to give birth and educate their daughters about the birds and the bees. A boat is waiting to pick us up and we cruise down the Katherine Gorge, past crocodile nesting areas, all the while flanked by sheer rock faces. “]

It’s time to swap our walking boots for kayaks. We put in on the outskirts of Katherine and embark on a 35 kilometres, three-day paddle downriver. It’s dry season and the river is gentle; all the rapids are Grade I. The river is spring-fed and its water is filtered through sandstone, which means it is refreshingly drinkable.

We glide past prehistoric-looking pandanus, their fronds draping over the water. Up ahead I hear a crackling sound, and then realise what I thought was lowlying cloud is actually smoke. A bushfire burns beside the river. White-bellied sea eagles swoop into the haze and there are more than a dozen black and whistling kites circling overhead, their eyes trained on prey scurrying away from the blaze. These kites are one of the few birds that deliberately pick up smouldering sticks and drop them elsewhere to create more fires. They are also one of the only birds that can eat and fly at the same time.

Eventually the smoke clears and we continue our passage downriver. Matt dangles his fishing line over the side of his canoe and catches a fair-sized barramundi. A freshwater crocodile suns itself on the bank with its mouth wide open. It’s unfazed by our presence and almost poses for photos. The dry season is when freshwater crocodiles inhabit the Katherine River. Humans are too cumbersome to chew so they’re not going to bother us, and besides, they’re not territorial like their saltwater cousins. In the wet season the water level can rise 15 metres, and this is when salties make their way into the inland waterways. We pass a crocodile trap with a pig’s hoof inside to entice hungry snappers, but the traps don’t see much action; on average, rangers catch just three saltwater crocs each dry season.

We awake each morning to swirling river mist. The days are sunny and peaceful, and at night we camp on sandy banks covered with wispy goanna tracks. Matt prepares a roast on our last night and we sit by candlelight, a glass of wine in one hand and a fork of beef in the other. With the candles reduced to waxy pulps, I retire to bed under a sparkling canopy. I hear one of my fellow kayakers say that it won’t be long before we’ll be back in the real world. To me, being tucked up in a swag miles from anywhere and gazing up to the geometric twinkle of stars is about as real as it gets.

Rainforest River Snorkel

Being instructed to strip off and slip into a rubber suit is a little disconcerting at first – especially when you’re standing in the middle of a remote sugarcane plantation, with no water in sight, and the person issuing the order is a bloke with a beard and an excited glint in his eye.

“Trust me,” says Barney, the bearded one. “You’re about to have a totally unique experience.” Excellent. I’m all for unique experiences, as long as they’re not like a scene from Deliverance.

But Barney doesn’t look like the banjo-playing type, and I do trust him. We’re only two minutes into the trip, but as I hop around the field, struggling to get into my wetsuit, I’m pretty confident that this isn’t going to be a typical Tuesday afternoon. I’m just wondering where the water is.

In Tropical North Queensland, donning snorkelling equipment and jumping into the drink is like brushing your teeth – if it’s not happening at least twice a day, it should be. However, we’re a few kilometres inland here, on the verdant verge of the Daintree Rainforest, and both beach and reef feel very distant.

Barney slings me a mask and points at the trees. “The river is this way,” he shouts enthusiastically, stashing the keys from his 4WD into a drybag and tucking a purpose-built ‘river sled’ (which looks a lot like a lilo) under one arm. “Let’s get into it.”

Visitors to this neck of the woods generally come to explore the two things that make the region famous: the Great Barrier Reef and the Daintree Rainforest.

Every day, boatloads of tourists head out to the reef’s popular snorkelling spots to accidently flipper each other in the face while trying to find Nemo; hundreds of others take walking tours through the rainforest, such as those offered at Mossman Gorge. Both are good experiences in their own right, but no one, it seems, has thought much about the connection between the forest and the reef.

No one, that is, except my new mate Barney. A little while back he realised that the actual neck of the woods – the waterways behind the beaches, the zone where the rainforest’s rivers run before meeting the Coral Sea – were being completely overlooked, if not by fisherman, certainly by snorkellers.

There’s at least one good reason for that, and it’s weighing heavily on my mind as we hike a short distance through the bush from the sugarcane field to the Mossman River, where we’re about to go swimming.

“What about crocs?” I eventually ask, having sat nervously on the question all day. As far as I’m concerned, estuarine crocodiles – aka salties – are easily the scariest creatures on the entire planet, and every bridge and river crossing that I’ve ever seen in North Queensland has featured a big bold sign warning these animals are present, and that interaction with them will inevitably end in tears. Just in case there’s any ambiguity in the message, the signs are usually accompanied by an image of a stickman getting chomped. Under no circumstances do I want to be that stickman.

 

“What about crocs?” I eventually ask, having sat nervously on the question all day.

“Nah, it’s fine,” Barney reassures me, as we rinse our masks in the river and prepare to take the plunge. “Look, the water is crystal clear. Crocs like to hang out and hunt in murky waters – it means they can maintain their element of surprise.”

This seems to make sense – the water runs like gin – although I hope that we’re not the first people to test out the theory. They’d certainly have surprise on their side if they jumped us from behind right now. Forcing such thoughts to the back of my brain, I drop into the gurgling waters of the Mossman.

“It’s also too cold for crocs,” Barney continues when we come up for air. I definitely buy this argument. The fast-flowing water feels freezing after the humidity of the tropical air and, although it’s beautifully refreshing, I’m grateful for the wetsuit, which had seemed totally ridiculous when I was sweating and swearing while trying to pull it on a few moments ago.

“We actually conduct full river checks before each tour,” Barney explains. “To ensure no crocs have changed their mind and made their way up river into the cold, clear waters. Swimming in rivers here is not something I’d recommend doing unguided.”

This trip is an education as much as an experience. Throughout the drift tour, Barney explains how the nutrients from the rainforest, carried out into the Coral Sea by the Mossman and Daintree rivers, sustain much of the ecosystem that provides the foundation for the Great Barrier Reef, by providing food for the coral polyps.

 

The river’s very own freshwater ecosystem is in your face the minute you dip your head beneath the surface. “You’ll see at least 10 different types of tropical river fish today,” Barney had promised me earlier and, sure enough, as soon as I secure my mask and submerge myself in the river’s cool embrace I’m surrounded by jungle perch, glass fish, gobies, Pacific blue-eye, threadfin and pipefish.

As if to deliberately collect as many nutrients as possible before delivering its contribution to the great briny soup of the sea, the Mossman wends a curvaceous course across the flanks of the hinterland here. Carried along by the flow we drift around countless corners and into spots that Barney has named – at the Cathedral the verdant vegetation of the forest has twisted into a living altar.

In places the flow is strong, and the best technique is to swim against the current until you find something you can cling to while watching the fish fly past. Elsewhere we drift into eddies and pools, where we relax in the calm corners of the river and explore the banks.

Overhead and all around us the rainforest is a festival of fecundity, buzzing with animal and plant activity. Colourful kingfishers dart between the branches and huge impressively patterned butterflies flutter precariously close to the water. The canopy is so dense in parts that plants struggle to get enough light to survive on the ground, so instead epiphytes cling to the bows of the trees, bursting into bloom many metres up in the air.

Barney spots something sitting on the semi-submerged roots of a tree and calls me over for a look. It’s a white-lipped green tree frog. If he’s bothered by our sudden presence, he doesn’t show it; or perhaps he’s just too stuffed to move – with more than 12,000 known species of insect here the 54 types of frog that call the Daintree home will never go hungry.

Saw-shelled turtles and spotted eels are plentiful in the Mossman too, and the waterway is also home to platypuses. Sightings of these super-shy creatures are common enough that Barney has named one of the river’s elbows Platypus Corner. He tells me they often swim between snorkellers during morning trips, but there’s no platypus action this afternoon. By way of compensation, a wild passionfruit floats past. Barney grabs the fruit and we split it – it’s as sweet as honey.

Such is the snaking nature of the Mossman that even after three hours of snorkelling and drifting around its bends, it’s just a short walk back along the road to the car. Barney does the honours, as I contemplate the serenity of my surrounds. Earlier in the week I’d gone diving and snorkelling on the Great Barrier Reef – along with the noisy hordes. The contrast is stark.

I’ll return to the reef – because swimming through such a kaleidoscopic explosion of colours and life never gets old – but I’ll look at it with new eyes now I know where the coral’s lunch comes from.

More than simply giving me an appreciation of the relationship between the rainforest and the reef, though, the drift trip along the Mossman has taken me back to the first time I ever put on a dive mask – a time when the entire experience was new and utterly mind-blowing. River snorkelling is a totally different kettle of fish to anything you’ll do in the ocean. It genuinely is a unique experience – and not just because it involves running around in sugarcane fields dressed like a gimp.

Ride the Wild Yukon Trails

“Always look where you want to go,” Ziggy yells as we whip along the single-track mountain bike trail above the mighty Yukon River. It’s sage advice, particularly as there’s nothing but a deathly 30-metre drop between the river’s raging torrent and us.

Legs pumping, I’m dodging tree roots, trunks and jagged rocks, all while trying to stay focused on the track ahead. And yet, despite this, I find myself snatching glances of the craggy cliff walls, the wildly frothing water and the wide-open sky that’s cobalt blue smeared with bruised rain clouds.

Soon we stop for a breather, and I take the opportunity to safely drink in the surroundings and, just quietly, thank the gods I didn’t go careening over the edge. Illuminated by a golden rush of sun, it’s larger than life and insanely beautiful.

At times like this, in places like these, it’s easy to be overwhelmed by Mother Nature’s grandeur. But instead, I feel myself firmly rooted: a small and intrinsic part of the world.

It seems most people drawn to Canada’s Yukon feel the same way. They’ve found a place where they fit and thrive; where the rules are malleable and people dictate the terms of life, not vice versa.

Ziggy, my mountain-biking guide, is testament to that. A dyed-in-the-wool Yukoner, she grew up riding the 700 kilometres of tracks that chequer the region’s capital, Whitehorse. In summer she bikes and all winter it’s cross-country skiing (and I do mean all winter – they last for a while above the 60th parallel). She knows just about everybody in town, and everywhere too. A night at the Dirty Northern Bastard’s bar wouldn’t have been quite the wild ride without her – but more about that later.

A little further along we stop again. The muddy track is gouged into the sloping clifftop and slippery from the morning’s rain. It’s hairy going, so we get off and push until… Ziggy’s foot slides perilously close to the edge and shows no sign of stopping. Her bike’s following fast behind. She laughs and somehow halts the descent. “At least one person dies each summer in the river,” Ziggy says. “But it’s not gonna be me. I’d never live that down!”

And that’s another mark of a true Yukoner – irreverence. You see signs of it everywhere: on spray-painted buildings and locally made T-shirts and in conversations overheard on street corners in Whitehorse. Maybe it’s in reaction to the long cold winters, when temps drop to –50°C and romances blossom, only to wilt come the first warming rays of summer. “You’re a long time cold,” one old-timer tells me, “and a short time frisky and free.”

My week-long ride began here, in the ‘big town’ (population 26,500). Equal parts white settler and First Nation terrain, Whitehorse is perched on the banks of the Yukon River, named after the indigenous word for big river, youcon. Their ancestors used the river and the valley through which it flows as a meeting place and food bowl.

A two-hour flight north of the west-coast city of Vancouver, and bordering Alaska and the Arctic Sea, the Yukon Territory is home to 14 indigenous peoples and eight different language groups. The same size as South Australia, it has one-fiftieth of the population (30,000 people). In fact, you’re more likely to run into a moose than a person here – the antlered animals outnumber Yukoners two to one.

This wasn’t always the case. The Yukon population was higher in the gold rush years of 1898 and 99 than it is today. The Klondike Gold Rush began in 1897 and is the single biggest event – in terms of historical significance and population growth – in the Yukon’s history. When two ships docked in San Francisco and Seattle carrying miners returning from the Yukon with bags of gold, newspapers carried the story to the masses, and the masses responded in droves. Within six months, approximately 100,000 gold-seekers, called ‘stampeders’, set off for the Yukon. Only 30,000 completed the arduous trip.

There are fine Yukon ales on tap, a mummified cat in a glass box on the bar and rumours of ghosts swirling around like Casper himself.

The most common route was by boat from the west coast of the USA to Skagway in Alaska, over the hazardous Chilkoot or White Passes to the Yukon River then a hundred kilometres by boat to Dawson City.

Steep and perilous, the trail through Chilkoot Pass – 1500 steps carved out of snow and ice – was known as the ‘golden staircase’. Stampeders were required to take a year’s worth of supplies with them and, with the trail too steep for packhorses, they made up to 30 trips up and down the staircase, until all their goods were at the top. Many gave up, abandoning their equipment on the trail.

The White Pass track was even more challenging. More than 3000 pack animals perished here, causing it to be renamed the ‘dead horse trail’.

Stampeders who survived the passes reached Bennett Lake, where they wintered in tents waiting for the spring thaw. Then they would row their hand-built boats down the Yukon River to Dawson City. During the three-week trip miners rode killer rapids. Many lost their possessions, or worse, their lives, when their boats broke up.

Fortunately, my trip to the goldfields is far less taxing. From Carcross, an hour’s drive from Whitehorse, I jump aboard the historic White Pass & Yukon Railway. Built in 1898 to ferry miners, it offers a spectacular journey alongside pristine lakes and vertiginous mountains.

The snappily dressed train conductor welcomes me to the train. Then, in the comfort of my carriage, which features on-board wood-burning stoves, we chug along, drinking in the magnificent scenery – shimmering water, towering rock walls and lush greenery – through vast glass windows. The station in Bennett sits on the banks of the same lake that was choked with timber boats jostling for position in the gold rush race downriver.

During the stampede, a town sprung up around the lake. There were shops, saloons, a church and hotels, including the salubrious New Arctic Restaurant and Hotel built by opportunistic young businessman Friedrich Trump, who recognised that miners needed somewhere to spend their earnings. The fortune he made here in humble Bennett Lake gave rise to the famous Trump family empire, now known the world over.

Today, the remnants make for an intriguing historical site and the view is breathtaking – heavily wooded hills, cloud-tickling mountains and an exquisite turquoise lake. As I wander around, I imagine the lives of the stampeders, surviving what were undoubtedly some of the harshest conditions on the planet. Did the spectacular surroundings help pull so many of them through in the frozen winters spent in tents?

A day later I’m back in Carcross (short for Caribou Crossing) and hurtling down Montana Mountain, a mix of rugged terrain, pine forests and rock.

I’m warming up my cycle legs on the green and blue trails (rated similarly to ski trails), before steeling myself to tackle Upper Wolverine – a rock garden maze with raised wooden features and natural airs. If I have any pedal left and am willing to throw all caution to the wind, I might even visit Grizzly Bear. As aggressive as its namesake, Grizzly is a steep descent along smooth rock faces and buff dirt, with some hair-raising lines.

Here, there is a combination of historic trails, mining-era routes and a single purpose-built track (35 kilometres in total). All are maintained by dedicated trail builders, courtesy of the Yukon government.

So passionate are locals about mountain biking that it’s not only adults who ride, build and maintain trails. The owners of Boreale Biking, through whom I hired my bike and hooked up with guide Ziggy, run weekly kids’ mountain-biking days.

“We teach the kids how to ride and also get them involved in building trails and maintaining them, so they’re giving back to the community,” owner and mountain-biker Marsha says. “It’s an involvement they’ll carry through to adulthood, we hope, along with a passion for getting out among it. As we always say, any day in the saddle’s a good day!”

It’s a great program and the kids love it – throwing themselves down trails all morning, switching handlebars and helmets for shovels in the afternoon, and rounding out the day with a barbecue under the midnight sun.

The 20-plus hours of daylight in high summer mean there’s plenty of time for trail riding and a multitude of other outdoor sports in the Yukon.

After my morning on Montana I trade saddles – bike for horse – and head into the high alpine. Slowly and sure-footedly we climb through dense forest to emerge above the tree line and gaze out over shimmering Fish Lake. Behind me, to the north, a line of jagged mountain peaks iced with snow claws its way to the horizon and, beyond that, Alaska.

The following day I hike to the top of another mountain range, and the day after that am pulled along behind a team of newbie sled dogs in training for the winter season. Like the locals, I’m making the most of the summer.

Also like a local, I’ve developed quite a thirst, and so Ziggy and I head to the Dirty Northern Bastard in the heart of Whitehorse. There are fine Yukon ales on tap, a mummified cat in a glass box on the bar and rumours of ghosts swirling around like Casper himself.

“The story goes that the original hotel, the Capital, closed down years ago in the winter and everyone moved out,” says Ziggy. “In the spring, people started smelling something rotten and when they investigated they found a former guest thawing out in his room. And the cat, well, it was found in the walls of the hotel when it was being restored. It had been there so long it was completely mummified. Today, it’s said they wander the halls and rooms of the hotel.”

Ziggy’s stories are a blast and soon other locals join in with tall tales and truths about Yukoner life.

It is here I first hear about the ‘colourful five per centers’, the local term for the quirky, out-of-the-box Yukoners who are the heart and soul of the place. You see them marching to their own beat, their eccentricities on display in the clothes they wear (picture camouflage hunting jackets and lumberjack beards), the goods they’re spruiking (handmade beaver- and moose-fur slippers), and in cool art installations that adorn the city, like the huge bicycle-wheel dome near the entrance to town. Sitting beside a bright red house, it’s eight metres tall, held together with plastic ties and crawling with larger-than-life spiders and bugs also built from wheels and spokes.

Ziggy says the creator of this ‘five per center’ has been around
forever, riding bikes, running the local cycle shop and loving his free-wheeling life. “He retired a while ago,” she says. “I guess he wanted to keep sharing his passion.”

Passion, I’ve discovered, is high on the agenda for both native Yukoners and visitors alike. For some, it’s a passion for mountain biking or exploring the territory’s magnificent landscape. For others, it’s making First Nation jellies from native wildflowers or elk skewers after a successful hunting trip. And for others again, it’s living a life completely off the grid.

For renowned author Jack London, whose visit to the Yukon coincided with the gold rush – and whose bronze bust adorns Whitehorse’s main street – it was a passion for writing. “You can’t wait for inspiration,” he wrote. “You have to go after it with a club.” And so he did here, the influence of the north defining his five novels and 665 short stories, including To Build a Fire, which contains one of the most moving descriptions of the cold ever written.

Then there’s London’s The Call of the Wild, which in the early twentieth century drew worldwide attention to the Yukon. The very same Yukon – with its staggering natural beauty, golden history, embarrassment of wildlife and colourful characters – that now inspires me, too.

Crocodile Tears

"No way! it says no swimming.” “Yes but the sign doesn’t mention crocs. Just currents.” “Baby, crocs come in on the currents!”

My partner and I can’t actually see Edith Falls because it’s a brain-meltingly hot hike up an escarpment and we’re arguing in the car park. We’re desperate for a swim but a few days prior had arrived in Darwin to newspaper headlines screaming: ‘CROC BREAKS MAN’S FACE’. We’re spooked.

And rightly so. During the wet season in Australia’s ‘Top End’, bodies of water overflow and connect, giving saltwater crocodiles a free ride into previously predator-free swimming holes. At the season’s end, croc trappers relocate them and declare waterholes safe again. Some waterholes are safe year-round, however, and I’d heard Edith Falls, in Nitmiluk (Katherine Gorge) National Park, was one of them. But nature doesn’t always play by the rules up here.

It’s Boxing Day, well into the wet season bracket of November to April, and I’d expected bucketing afternoon rains, deafening waterfalls and gloriously sodden wetlands. Instead, the region is still in the sweat-soaked grasp of ‘the build up’: that famed few months before the wet, when heat is rivaled only by humidity, dark clouds rumble but rarely unlock rain, locals ‘go troppo’, and tourists’ grand plans of sightseeing dissolve into puddles of perspiration and apathy.

We had spent the previous day in Litchfield National Park, which is blessed with two croc-free swimming holes – the burbling cascade of Buley Rockhole and the plunge pool of Florence Falls. Swimming through Florence Falls’ cool, tannin-stained water, all sound subsumed by twin waterfalls pounding down, had been immeasurably peaceful.

Peace, we know, would elude us now if we braved a dip in Edith Falls. Regretfully, we return to the car. “You said it was okay!” accuses my partner. “It was supposed to be!” I snap back. Five minutes later, cooled by the car aircon, we manage a laugh at our predicament. Touring the NT involves lots of driving, but our car – aircon constantly cranking – is a welcome sanctuary from the build-up. It’s also a defence against ‘mango madness’ (the other name for ‘going troppo’).

Of Katherine municipality’s 24,000 people, around 60 per cent identify as Indigenous. The town’s population of 10,000 swells at festive times when many people arrive from remote communities like Ngukurr, Wugularr or Lajamanu to attend community festivals. Inland, it’s less humid but the heat is still like a bossy third wheel making impossible-to-ignore demands. “Swim!” it commands.

But disappointingly, Katherine Gorge – or ‘Nitmiluk’ to the Jawoyn people who own the park – was closed to swimming just the previous day. “They smashed the record this year,” says the guide on our afternoon cruise. “Eighteen salties were caught in the catchment area – it’s usually eight.”

Nitmiluk was carved by Bolung, the rainbow serpent, the guide tells us. He points out pandanus plants for weaving, freshwater mangrove for poisoning fish and a sea eagle circling above, “taking away the spirit of the deceased”. Later, he says, “If you’ve got rocks in your head, the sandstone cliffs here are about 70m high,” before relaying Nitmiluk’s geographical facts.

I’m impressed. That he leads with a creation story speaks volumes of his respect of the Jawoyn custodians. I grew up hearing Dreamtime stories but most people on this boat are foreigners. It must be hard for them to understand our country’s struggles to resolve the issues faced by Aboriginal people, all too apparent in NT towns like Katherine and Darwin. Tours like this are one step, however small, towards deepening their awe of Australia’s first people.

Returning on foot to the Nitmiluk campground, we see purple clouds curdling above, flashing with lightning. Storm! We hurry to the Visitor’s Centre, buy an overpriced ice block, and wait for the show. But no rain arrives. The pattern continues during our travels. All signs point to a downpour – but usually none comes, or there’s just a few fat drops. I learn to mistrust my internal barometer.

The Jawoyn recognise five seasons, with one season, called Guran, reserved for approximately the month of December when it’s ‘very hot and humid, large cloud build up is common and rains begin to fall’. I’m struck by how accurately it describes the weather compared to the broad brushstroke that whitefellas call ‘the build-up’. Jawoyn seasons don’t begin on a set date. Instead, the Jawoyn use calendar plants to indicate timings. When the kapok plant flowers, for example, it’s a signal that freshwater crocodiles will soon lay their eggs in the sandy riverbanks.

We doze indoors through peak heat. Our sleep patterns have changed and we’ve also learnt the difference between ‘first light’ and ‘sun up’: about one hour. It’s an hour we maximise the next morning hiking to Nitmiluk’s Southern Rockhole.

The air is fresh and wallabies are still nibbling on shoots. At 6.45am, the top rim of the red cliff blazes into light. Sun up! We hasten, loop over an escarpment, and scramble down a rocky path to the tranquil, waterfall-fed rockhole. Most tourists prefer the proximity of the campground swimming pool, meaning fish, frogs and turtles are our only company. It’s another glorious swim.

The region is still in the sweat-soaked grasp of ‘the build up’: that famed few months before the wet, when heat is rivaled only by humidity, dark clouds rumble but rarely unlock rain (and) locals ‘go troppo’.

The famed Yellow Water Billabong cruise awaits us that evening at Kakadu. Australia’s largest national park is jointly managed by its traditional owners (collectively known as ‘Bininj’), and the Australian Government. Surrounded by fluorescent-green flood plains, the billabong is a picture-perfect wetlands image, but a furious wave of activity distracts us from horizon gazing. As a live croc chomps on a dead croc, a couple of Brolgas spears through the air and a popping, chopping noise rises from the water. “That’s the barramundi feeding,” says our guide.

The fierce drama of life here is staggering. The billabong is bursting with territorial salties, massive stingrays, five types of aquatic snakes, a prawn “as thick as your wrist”, 5m-long swordfish and sharks. Kakadu also boasts one-third of Australia’s bird population, including the elegant Jabiru, stalking through the reeds ahead.

“As a whitefella, there’s things I can’t tell you because I’m not initiated,” says our guide the next day. Dave is showing us Kakadu’s wet-season attractions by 4WD and on foot, and takes his role communicating traditional knowledge with extraordinary care. Unlike white Australian culture, where information is ubiquitous, Aboriginal culture has internal hierarchies of who knows what; a structure that dictates how knowledge is retained, passed down – and, sadly, lost.

“Whitefellas have explored less than two per cent of this rock country,” Dave says. “There are places I’m desperate to see, but I can’t yet. I can’t ask either. I tried that and things got really serious. Some local fellas sat me down and said: ‘You can’t ask. If it happens, you’ll be taken’.”

The land here is still in use for harvesting chestnuts, wild rice, yam and sweet potato, and hunting magpie geese, goanna and other animals. But today we’re searching for the rare Leichhardt’s Grasshopper, endemic to the sandstone escarpment country of Kakadu, Arnhem Land and Nitmiluk. I’m dubious as to how impressive a grasshopper could be – until I see one. Glossy, iridescent orange and blue, the grasshoppers are stunning, shy and very sacred. Called Alyurr, they’re the children of the lightning man, Namarrgon, a powerful ancestral spirit. When you see the bright white forks of lightning that strike around these parts, you understand why Namarrgon is so respected: lightning here is truly a deity-worthy force.

We hike 3km to the monsoon forest pools of Gubara. The area is known as Buladjang, or ‘sickness country’, and has rock art depicting people with swollen joints, presumably from the uranium in the earth. Uranium remains a topical issue in Kakadu due to the ever-present threat that mining companies will expand their operations. Last year, however, traditional owner Jeffrey Lee won a battle to incorporate a 1200ha parcel of uranium-rich land – earmarked for mining – into park borders.

Before we reach Gubara, Dave takes us on a special detour. The night before, a friend and traditional owner told him about some ‘undiscovered’ rock art. “Everything tourists see – the art, the falls, the sacred sites, the billabongs – are multiplied thousands of times over in Kakadu,” he says, brimming with awe. And just five minutes off the track, there it is. A wallaby painted on a rock overhang, clear as day. Looking at it, captivated, I realise why the local people keep information like this close. Why would they hand us every last key to their ancient sites and secrets?

The rock art in the Top End is astonishing, none more so than that depicting megafauna. In 2010, a painting of an emu-like bird was found in Arnhem Land. Known as Genyornis to scientists, the bird became extinct 40,000 to 50,000 years ago, meaning the art could be the world’s oldest, pre-dating the previous record holder, found in a cave in southern France, by at least 7000 years.

Those who know Kakadu intimately will tell you to visit multiple times, to see it in all its seasons. And I know I’ll be back. But while I hope to admire waterfalls during the wet and gaze at vistas down roads that reopen during the dry, really, I’ll be returning to hear more of these incredible stories, and hopefully meet some of Kakadu’s local people who can relay them firsthand.